A Quote by Tay Keith

Everything I do got that bounce to it, that addictive, repetitive sound. — © Tay Keith
Everything I do got that bounce to it, that addictive, repetitive sound.
If pregnancy were a book, they would cut the last two chapters. The beginning is glorious, especially if you're lucky enough not to have morning sickness and if, like me, you've had small breasts all your life. Suddenly they begin to grow, and you've got them, you've really got them, breasts, darling breasts, and when you walk down the street they bounce, truly they do, they bounce bounce bounce.
Wrong is an addictive, repetitive story; Right is where the movement is.
Hillary Clinton should get a bounce out of her convention, I mean a bounce in the polls. I think it's probably conceded that Donald Trump got about a three-point bounce out of his conventions. He's closed the gap that much.
Everything is addictive to me but tattoos are addictive to all.
Fame is addictive. Money is addictive. Attention is addictive. But golf is second to none.
I got addicted. News, particularly daily news, is more addictive than crack cocaine, more addictive than heroin, more addictive than cigarettes.
Nothing's harder than writing. There's no comparison. With directing, you can bounce a lot of ideas around. There's tremendous support - you've got editors and sound mixers. With writing, it's all you, and it's just crippling when people tear up your pages.
My production got better, songs, lyrics, everything; the sound, the quality, everything.
As a rugby player I got into the habit of tackling without thinking. But in MMA you've got to land the right way. You can't flop. You've got to bounce back to your feet. You've got to use your sprawl.
Cash Money really had no intentions of being a rap label because when it started, it really was based on bounce. It was one bounce song after another. I started to doing bounce songs for them, and they jumped off.
I'm not pessimistic, because poor people tend to bounce back. We've been through worse than this - working people been through worse than this. We've got slavery and Jim Crow. We've got workers with no rights up until `35. We're going to bounce back. We are resilient, resisting people. So, it's not pessimism, but it is blues-like. It's not optimistic. We're just prisoners of hope, that's all.
There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.
Moreover, if a song is a hit, film makers come to us with requests to score similar tracks. In the process, commercial songs sometimes sound repetitive.
When the passer's back foot hit the ground on his setup, I wanted the ball gone. If no one was open, if he had to buy time, I wanted him to bounce in place. And then I only wanted him scrambling as a last resort. When you bounce, you maintain your balance. When you start moving, you create an unnatural position for yourself. I want everything to be natural.
I don't mind a repetitive chorus; I mind repetitive verse. I mean, it's the same amount of space. Why would you have only three diamonds if you can have six?
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