A Quote by Tyler Hoechlin

I love sitting down with my friends at dinner and actually telling them a story, as opposed to going, "Hey, did you see that thing I posted on Instagram?" For me, I would so much rather sit there and actually share a story with somebody and have somebody tell me about their trip, or things like that. I don't need to see it.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
I always get stopped by security and immigration, telling me, 'Tell me who the terrorist is, or we won't stamp your passport!' The last time that somebody did that to me - at LAX, actually - I was like, 'Hey, don't ever ask a brown girl that in an American airport!'
I really haven't had that exciting of a life. There are a lot of things I wish I would have done, instead of just sitting around and complaining about having a boring life. So I pretty much like to make it up. I'd rather tell a story about somebody else.
I posted some story about the Arizona State baseball coach getting into a fight with an autograph hound, and it was a disastrous thing. The guy rescinded his story. It proved to me that I'm not cut out to be a proper journalist. I'm much better sitting around and making fun of journalists and telling them what terrible journalists they are than being an actual journalist.
Everything has changed, but the process of telling a story has not changed. It's like cavemen sitting around the fire; somebody's going to tell the story. Somebody is drawing on the wall. You're communicating. You're trying to learn and teach at the same time. You're your own student and you're your own teacher, but the process is of the communicating.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
It thought about the magic that happens when you tell a story right, and everybody who hears it not only loves the story, but they love you a little bit, too, for telling it so well. Like I love Ms. Washington, in spite of myself, the first time I heard her. When you hear somebody read a story well, you can't help but think there's some good inside them, even if you don't know them.
Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel.
I sent a message to Drake telling him he should follow me on Instagram, then two minutes later someone tweeted at me saying that he had followed me and I went to see if he actually had and he did. When I posted a video, he sent me a message after saying, 'Congrats King,' and I think I lost it, I was so excited.
We are not the originators of the story. I think it's actually the opposite when you're an actor. You're telling somebody else's story.
I told my mom I was going to do a movie about a son who hears a story about his mom and takes her on a cross-country road trip, and I wanted to actually take the trip with my mom to see what it would be like to drive cross-country with your mom.
Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.
When I would be on the stage singing, I would see a movie of something that happened, I would be telling the story. I would be describing the story in sound, but my goal would be to make somebody else run their own movie.
If you want somebody to tell you a story, one of the most easiest and effective ways is if you're telling them a story.
You try spending six months sitting at somebody's bedside, waiting for them to die and then tell me that the happy-ending love story isn't one of God's good gifts.
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