A Quote by Tyronn Lue
I don't like when people come out and say 'sources say' and this and that. Listen, if you can't put your name behind it, then don't say it. I don't believe in that.
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I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don't have to say, 'sources close to LeBron James,' five times a game. I can just put my name to it. I say what I believe. It doesn't mean it's right. It's what I believe.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
Some people don't even say hello. They come up and say, 'Can I take your picture?' and I'm, like, 'Why?' And they say, 'Oh, you're that guy.' And I'm, like, 'Why do you want a photo of me if you don't even know my name?'
My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers... They say, 'We came to liberate you....' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me.
I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
Don't commit to being a columnist unless you're willing to do it right. Report your behind off, so you have something original and useful to say. Say it in a way that will interest someone other than you, your family and your sources.
People say bad things about me. I've had people tell me, "You know, Rush, I've been telling people to listen to you and listen to you, and I finally get 'em to do it, and then you say something so offensive, and they look me, 'You listen to this?' And I'm tired of defending you, Rush. Why do you say stupid things?" I know what this is like.
Whenever I've had a problem with any female in this entire game, I will say your name... I'm going to say your government. I'm going to look it up. I'm going to say your mother's name, your father's name, your kid's name. I want you to know that I'm talking about you.
You don't have to say I love you to say I love you," you said with a shrug. "All you have to do is say my name and I know." ..."Can't you hear it?" you said. "When you love someone, you say their name different. Like it's safe inside your mouth.
You should not say anything that you cannot put your totality behind. The total value of you is that whatever you say, you stick with it. When you don't stick with what you say, you have no value, and your decoration and your jewelry and your sex and your person have no value. Real communication is the faculty of a human that whatever you say, you stick with it.
I believe strongly that most people in this country U.S. don't want a totalitarian state...And when conservatives say, "Get the government out of my backyard," the reality is, you can't say that and put somebody in the White House who's gonna be in your business.
I've always been a fan of Drake's. I wouldn't say I listen to all of his music, but I would say that I pick tunes out of his that I love and then put them on repeat.
I used to be scared of the Candyman. You'd say his name three times in the mirror and then he'd come get you. I was terrified of that stuff becoming true. My older cousins used to say things to make us believe crazy stories like that, so I was scared of the Candymanuntil I knew better.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
What I believe is not what I say I believe; what I believe is what I do. I used to say that I believed it was important to tell people about Jesus, but I never did. A friend kindly explained that if I do not introduce people to Jesus, then I don't believe Jesus is an important person. It doesn't matter what I say. We live for what we believe.
If all I can say is I'm not in this swamp, I'm not in this swamp then there is not a rope in front of me and there is not an alligator behind me and there is not a girl sitting at the edge eating a hot dog and if I believe that, then dying would be the only answer because then Death couldn't come and say Peachy to me anymore and after all she has a brother who believes in hope.
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