A Quote by Takashi Miike

In '13 Assassins' the biggest challenge was that action period films, for budget reasons and because of the age of the actors involved, are not considered to be a good business decision by some companies.
Becoming that guy who does one thing is not very interesting. I'm lucky and proud to have been involved in period films and action films.
I think that we can all learn from what smart companies are doing. My objective is to demonstrate what's possible, even during tough economic times. This is a period of great business dislocation, but that means it's also the time to try new things. This will be a challenge for existing companies. But the behaviors of smart companies can be learned.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
I don't even know why, but my entire career is contemporary films. Entire career! There's no period movies - there's one - but there's no period movies, no special effects movies. I just do character studies and so, some of them are gonna bump into each other, but I love the challenge, with a good script. I love the challenge of playing not a very pleasant or attractive character that seduces an audience or wins an audience over by the end.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
Basically, I would like to be considered for roles that are well-written. I think that part of the problem that we've had as actors is that they insist on looking at us as Latino actors and not as actors, period.
One of the reasons a lot of actors go into the business is that for a short period of time, you get to be other people who you can only fantasize about being, by and large.
Doing stunts all by myself has been a deliberate decision because I wanted to do all stunts by myself because female actors don't get the opportunity to work in action films, and I think when you get such an opportunity, then you have to make most of it.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
I think I'm good with actors. I like directing actors. I also like to show up and just do an acting gig. Where I'm just a hired gun, I don't have to have an opinion on anything.I never got involved in all this stuff because I wanted to control stuff; I got involved in writing and producing because I wasn't getting interesting acting gigs. In a way I'm grateful that I didn't get interesting roles, because it made me pull my finger out and do some work.
To be quite honest, numbers don't tell you everything because audience reactions differ. Some of the biggest films at the box office are not necessarily films that everyone has loved, they just opened to a good response.
I think it's maybe because Sergeant Pepper's came out when I was about 13 or 14 and that was a pretty impressionable age, and it was such a kind of radical period. But that period of the Beatles really had a big influence on me and I think are directly related to hyperinstruments.
My films can be considered political action against the tyranny of good taste.
Coming from documentaries, my biggest challenge was to understand actors' psychologies. American actors take it all very seriously; British actors don't enter into all this methody way of doing things.
I feel a lot of films that are shot digitally, even low-budget independent films, they look super slick now. Because the technology is so good that they look too good.
The R K banner has had this tradition to make good films, and good films always take a lot of time to complete because of the hassles involved.
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