It was very hard for me to put my life on paper. It was a very intimate process, very psychological, but at the same time liberating. It was like cleaning the closet, like cleaning the house... It was very refreshing.
The House Rules Committee is perhaps the free world's outstanding bureaucratic abomination - a tiny, airless closet deep in the labyrinth of the Capitol where some of the very meanest people on earth spend their days cleaning democracy like a fish.
My belief is that my wife should be at home looking after my kids and cooking and cleaning. She's a very privileged woman to have a husband like me. Not everyone's in her position, but the ones who are are very lucky. That's my opinion.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
Shooting of a sex scene is never going to something where you're having a wonderful time. It's a very intimate thing and a very intimate space to be put into - that's usually a space reserved for one. To have someone else in that proximity is pretty jarring, but we're all in the same boat and we're all experiencing the same anxieties.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.
Like any black kid on a Sunday, your mom's cleaning the house to music. So that was, like, my very first memory. My mom having it in the background with incense lit.
In acting process, it's very difficult to explain. It's something very intimate, very private.
In acting process, it's very difficult to explain. It's something very intimate, very private
I love a man with a great sense of humor and who is intelligent - a man who has a great smile. He has to make me laugh. I like a man who is very ambitious and driven and who has a good heart and makes me feel safe. I like a man who is very strong and independent and confident - that is very sexy - but at the same time, he's very kind to people.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
In my house every Sunday, everybody was cleaning the house. There was always music, and everybody was dancing, sometimes naked around the house. Not hippie, but very free.
In my house every Sunday, everybody was cleaning the house. There was always music, and everybody was dancing, sometimes naked, around the house. Not hippie, but very free.
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
I'm very lucky to be at this level and it is very hard to catch up. It is all about holding on and it is very important to learn from the other drivers. I tend to put a lot of pressure on myself, wanting to be very good very quickly, which forces me to up my game.