A Quote by Tanikella Bharani

No one knows which film will be a hit or flop. Film making is a gamble. — © Tanikella Bharani
No one knows which film will be a hit or flop. Film making is a gamble.
We can't say whether a film will be a hit or flop. There's something which just clicks with people.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
People will watch your film only if it's good. Another star's flop won't make your film a hit. So my race is with myself.
A film will be a hit or a flop in spite of my worrying about it.
Filmmaking involves a lot of money and hard work, which should not be wasted, though nobody knows which film will be a hit.
I feel that, irrespective of a hit or flop, there's always pressure on an actor. When you give a flop, there's a pressure to ensure that the next film works, and when you give a hit, you want to keep it going. So, the pressure of success and failure is always there, and that's what keeps me going.
Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that.
There is always a hit and a flop, it's part of working in the film industry.
I'd rather give one hit song than a flop film.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
'Aashiqui' became a cult hit film. It was my first film which gave me not just recognition but stardom too, so I will always remain partial to it.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
I would say the three stages of making a film are the initial 'are we gonna do this,' 'how much will I be paid,' is there a lot of nights, who's it going to be with? The second stage of doing a film is how much fun your going to have doing it. The third stage is was the film a hit?
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film.
Nobody knows when they sign a film that the role they are playing will be a huge hit.
This site uses cookies to ensure you get the best experience. More info...
Got it!