A Quote by Tanya Saracho

I had never heard this term before - gente-fication - which is also happening in Portland, Houston; it's happening in a lot of cities. It's upwardly mobile Latinx who want to come back to their neighborhoods where they grew up - or it's Latinx moving to L.A. and looking for a Latinx neighborhood to live or open a business.
My first time up to bat as a showrunner, what I did was hire an all-Latinx writers room. And it's a diverse Latinx writers room - we have an Afro-Dominican and Texicans and Chileans. It's diverse within its Latinidad.
At Shondaland, six out of nine writers were of color - not Latinx, but I was like, 'Wait, I can do that but for the whole room?' 'Atlanta' had done that, then I can do that.
A lot of the time, because we don't have many Latinx scenarios on the landscape, not just in television or film and other media, we haven't gotten the chance to tell our story from our point of view.
In lots of ways, I've been trying to tell stories this way since I started writing plays: a female-centered story with queer, Latinx gaze.
For so long, the narrative - I'm speaking for Latinx - we've been invisible, the ones cleaning and taking care of your kids and doing your lawns.
I just wanted to put together the best Latinx writers. I didn't care about the level.They have a passion for 'Vida' in a different way, in a higher way.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
In 2017, Trump pardoned Joe Arpaio, an Arizona sheriff who was ordered by a federal court to stop racially profiling and was convicted of criminal contempt when he refused. Arpaio, by targeting Latinx people, was violating both the U.S. Constitution and our civil rights.
The most important thing that a company can do in the midst of this economic turmoil is to not lose sight of the long-term perspective. Don't confuse the short-term crises with the long-term trends. Amidst all of these short-term change are some fundamental structural transformations happening in the economy, and the best way to stay in business is to not allow the short-term distractions to cause you to ignore what is happening in the long term.
Having been in the business for a while, I never like to look forward. You kind of enjoy what's happening while it's happening and leave the rest up to God, the angels, the trees, the stars - whatever you want to call it.
The way I grew up and the neighborhood I come from, when you know somebody's beating you and you still let it happen, then you're a victim. You're no longer a man when you know something is happening and you don't stand up. So that's just how we raised.
There's this zeitgeist happening, and people are more open to 'Sorry to Bother You' being a hit with 'Get Out' being out there. But that zeitgeist is also happening because of the movements going back to Occupy and Black Lives Matter. Usually, film is years behind. It just so happens that, this time, everything is lining up.
I'd never really experienced the West before moving to Colorado. The East Coast, where I grew up, has a lot of big cities, like Boston and New York, and is more densely populated, and I instantly fell in love with the big open spaces of the West, where you can see not just for a few miles but for a few hundred miles.
For me the breath really is the tool which allows you to understand what's happening on the mental level and what's happening on the emotional level, and it also allows you to measure what's happening on a physical level.
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
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