A Quote by Tao Lin
When I'm talking to someone I think 'can I use this dialogue in a book,'" said Luis. "If the answer is no I try talking to someone else.
Related Quotes
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
If you want your children to listen, try talking softly - to someone else.
When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.
Our thought should not merely be an answer to what someone else has just said. Or what someone else might have said. Our interior world must be more than an echo of the words of someone else. There is no point in being a moon to somebody else's sun, still less is there any justification for our being moons of one another, and hence darkness to one another, not one of us being a true sun.
When you hear someone talking in a restaurant or overhear someone talking on the street, there are very different patterns of conversation than you would hear in a conventional movie.
I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
When I get up to speak tonight, it's kind of a monologue. When I am talking with someone one-on-one, it's a dialogue. I ask them questions; I listen; I respond appropriately. I think we can do it in a loving way.
Talking to people is important to me as someone who has cerebral palsy. I know what it's like to have people not talking to me because they are scared they would ask the wrong question, but I would rather have an honest dialogue as long as it comes from an honest place.
If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.
Someone who didn't do comedy might think it was awful to have someone talking about you. But I just love the attention, even if I'm not there.
Be independent and don't try to think someone is going to save you or look to someone else to make you happy or look to someone else to complete you.
You should never use the word Karma when talking about someone else, it's only a concept you should apply to yourself as a matter of investigation.
I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.
When I try to be funny, it always makes me more nervous that I'm trying too hard, and then my brain that already thinks too much jumps into hyper drive, and I light-speed start talking 'Star Trek' to someone who's talking 'Star Wars.' Anyway, it doesn't work out usually when I 'try' to be funny.
All of us... when we think we are talking most intimately to someone else, are actually addressing an image we have of the person to whom we believe we speak.
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