A Quote by Tao Okamoto

I was living in Paris for, like, a year and a half, and I couldn't speak French, so it was just hard to get a baguette or a pastry or whatever. All the stores close at 6 o'clock, and they're not very into hospitality, so it's not a convenient city. It's so pretty, though, but I was raised in Tokyo, so it was hard to understand.
When I came to North America, it was hard. It was hard to understand, hard to get someone to understand me. I only knew Russian. I studied French in school, but it didn't help. I forgot most of that.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
We don't understand what photography is doing. We don't understand the power of its rhetoric. We don't understand why the Provoke photographers showed Tokyo city as a ghastly and alien city when it was really going through this period of mega-capitalist growth. It's a very, very, very powerful force, the photograph. People ask me why it has such an ability to captivate us. And I just don't know.
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
When I was living in Paris in the '80s, I used to go out with an American model who couldn't speak French. But suddenly everyone could speak English because he was so cute.
I cut the ribbon in Paris, and everyone in Paris speaks French โ€” maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French โ€” I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.
Usually I'm pretty myopic. It's hard for me to multi-task, so to speak. If I'm in a show and I'm creating a character, I'm just completely into that. It's really hard for me to do anything else like write music. I have to sort of shut down different sides of my head and just focus.
We use the term 'fight' very lightly - 'I've been fighting so hard to get my car, I've been fighting so hard to get that job, I've been fighting so hard to get that girl.' But the reality is boxers do fight bitterly to get whatever they want or whatever they need in life, and most of them come from nothing, which is the case of Roberto Duran.
The hardest thing to do in this league is to get a proven star. It's just very hard to do. It's hard to do in free agency; it's hard to do in trades. You get very few opportunities to do it.
I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
At one point, in one of the kitchens where I worked, I was the only American pastry cook. They treated me poorly. 'You're stupid. You're American. You don't get it.' They'd speak French all day. At one point, my boss said to me, 'You learn French or get out right away.'
I'm a city girl from Seoul City, where I grew up, to Tokyo & Paris.
Paris, though it's a very famous city, it's very small, so people always tell themselves, "We're gonna love each other in Paris."
The great thing about pastry is there are so many avenues - it's very hard to get bored doing this.
Honestly, I'm cool with everyone, and people pick up on that. I'd say, 'I'm not gay, but it's all good.' It's kind of like going to Paris when you don't know the language; some Americans get into trouble over there, but I'm just like, 'Sorry, I don't speak French.
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