A Quote by Tawni O'Dell
It turned out I really didn't like journalism. I wanted to make up stories, not cover real events.
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I figured out I wanted to tell stories in college. I'm an only child who moved around a lot growing up, and I really feel like it prepared me to be a storyteller - to make up stories and pretend to be every hero from every movie and TV show as a kid. So it was a natural progression.
I was with Roy Thomas on a panel and he turned to me and said, "You know, your name is on the cover a magazine every month." I said, "Really?" He pulled out a copy of "Destroyer," and said, "If you cover up the DEST you've got Royer on the cover every month."
We do live in a time where there are fake web sites peddling mistruths out or sites that use hyperbole and don't put things in context. There's a range of ways that real journalism has been mashed up with things that aren't journalism... like opinion or that's sensationalistic in some ways. It is really noisy out there. You have to think of ways to cut though the noise.
I never, ever have seen media this way. It's almost indescribable. Making up stories, refusing to run real stories. It's making themselves look like utter fools. There's no journalism, there is no media. There's pure, full-fledged advocacy here.
Journalism is a kind of profession, or craft, or racket, for people who never wanted to grow up and go out into the real world.
Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.
Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
I really thought I wanted to be a lawyer, but then I had an epiphany when I was in law school and dropped out. I'd always been a journalism junkie, but I'd never had confidence to think that I could actually edit or write the stories.
I don't feel beholden to follow the real world at all. The important thing is to know WHY things turned out the way they did. You need to understand the reasons for events, or at least be able to make reasonable guesses about them.
People make events into stories. Stories give events meaning.
I'm so proud to be a real woman, a size 14 woman on the cover of a magazine like 'Ralph.' Women's publications rarely put size 14 women on the cover, let alone men's, so I'm really honoured and proud to be on the cover and representing curvy, sexy women out there.
I don't really like the way that journalism works in the UK anyway; it's all about getting the most shocking thing out of somebody and kind of twisting people's words, which isn't really journalism, as far as I'm concerned.
My first real writing job was at 'Rolling Stone,' so I wrote about rock-and-roll and politics and the like. At the time, I really didn't know what I wanted to write, and I did a bunch of investigative journalism.
I make up stories that take place in real space with real people. If I could convert this into a technique for experimental novels, I might really be onto something.
I was telling stories before I could write. I like to tell stories, and I like to talk to things. If you]ve read fairy tales, you know that everything can talk,from trees to chairs to tables to brooms. So I grew up thinking that, and I turned it into stories.
Because they're my stories, they're my version of events of the past three years. But I really hope people can hear their own stories within the songs and they can become our version of events.
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