A Quote by Tahir Raj Bhasin

It's a big responsibility to play an icon like Sunil Gavaskar. — © Tahir Raj Bhasin
It's a big responsibility to play an icon like Sunil Gavaskar.
It is important for big names such as Sunil Gavaskar and Ravi Shastri to get on board and recognise that women do actually understand the game and they can play as well.
It is a matter of pride, and a lot of pressure to play the role of a legend like Sunil Gavaskar. He is India's first cricket superstar.
When we used to play, we thought no one can break Sunil Gavaskar's record. No one could think about 50 Test centuries at that time. This is certainly a big knock under the circumstances, better than the 200s and 300s.
When you compare the icons of the game, you have Sunil Gavaskar, Kapil Dev, Sachin Tendulkar and Dhoni in the same bracket.
The year 1989 was crucial for me because I had just moved from the country into Sydney to play first-class cricket. That was the time I heard of a teenager called Sachin Tendulkar, who had burst on to the scene and was being annointed as successor to the great Sunil Gavaskar.
I don’t feel like a gay icon. I don’t feel like an icon at all. Every single interview was always, ‘What’s it like to play a gay character?’ It would be nice if I was never asked that again. Why isn’t anyone asking the other girls what it’s like to kiss a boy?
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
Not to rag on myself, but when people say, 'What does it feel like to be an icon?' I'm like, 'My dog does not think I'm an icon, my cat does not think I am an icon, my cousin does not think I am an icon.' I have a really lovely group of friends, and I just don't think about it.
If you go back to the hood in America, I think most of them look at me like an icon. An icon is somebody they wanna be. Somebody who can relate to everything that they're going through at the time. So, I'm definitely an icon.
Playing an icon [superman], you don't try to be an icon because that defeats the purpose. The responsibility attached is enormous, and the realization that it actually really, really matters meant that I wanted to put the most amount of work into representing the character properly.
If you come in like a typical modern drummer who is used to playing only with tricks and double kick and, like, big, big, big, fast rolls, but you can't play a swinging shuffle, then you can't play in Ghost whatsoever.
I don't feel like an icon; I don't think of myself as an icon.
During the football scene in the Point Break they were playing, and I wasn't slated to be in the football scene. I was like, "I want to play!" So they said, "Go play." It was just a gas. There was a responsibility of being the leading lady - there's a responsibility to that.
I was just thinking of James Dean and Marilyn Monroe and how young they were when they died. I would like to be a pop icon who survives. I would like to be a living icon.
I ain't no icon. It's people like Patti LaBelle, somebody like that's an icon. I'm just Missy. I'm just crazy, that's all.
The statement is that I’m not one icon. I’m every icon. I’m an icon that is made out of all the colors on the palette at every time.
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