A Quote by Twyla Tharp

You can only generate ideas when you put pencil to paper, brush to canvas... when you actually do something physical. — © Twyla Tharp
You can only generate ideas when you put pencil to paper, brush to canvas... when you actually do something physical.
I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.
On occasion I have drawn as a release from painting. The economy in using paper, pencil, charcoal and crayon can help towards a greater gamble and higher rewards. I also find that drawing can generate ideas more rapidly than painting.
I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. ... That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.
I always liked the idea that you can put something in you onto a canvas or a piece of paper and have it exist there and not inside you. It's a way to control things.
The best ideas come from sitting down with a piece of paper and a pencil.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
On the canvas of life, Every sweep of the brush matters, Counts for something.
There is joy in feeling the bristles of a quality brush, seeing the richness and lush color of truly good pigment flowing onto the paper or canvas. The cheap stuff just makes for harder work and lesser results.
You may think you don't have talents, but that is a false assumption, for we all have talents and gifts, every one of us. The bounds of creativity extend far beyond the limits of a canvas or a sheet of paper and do not require a brush, a pen, or the keys of a piano. Creation means bringing into existence something that did not exist before-colorful gardens, harmonious homes, family memories, flowing laughter.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
Who but a brazen crazy person would go one-on-one with blank paper or canvas armed with nothing but ideas?
When he was very excited, [John Singer] Sargent would rush at his canvas with his brush poised for attack, yelling, 'Demons, demons, demons!' When he was particularly angry or frustrated, he expressed these feelings with 'Damn,' the only curse he allowed himself. He once had the expletive inscribed on a rubber stamp so he could have the satisfaction of pounding it on a piece of paper.
The one thing a writer has to have is a pencil and some paper. That's enough, so long as she knows that she and she alone is in charge of that pencil, and responsible, she and she alone, for what it writes on that paper.
To generate creative ideas, it's important to start from an unusual place. But to explain those ideas, they have to be connected to something familiar.
Ideas are elusive, slippery things. Best to keep a pad of paper and a pencil at your bedside, so you can stab them during the night before they get away.
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