A Quote by Ted Chiang
Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.
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It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
I see in the FBI 302, which was put out on Memorial Day weekend in print about this big where you needed to use a magnifying glass to read it, but I read it twice, I saw something that really concerned me.It said Hillary Clinton can't remember her exit interview from the CIA because she had no memory for a period of time after she had a concussion. She was secretary of state when she had no memory. Now there's something really seriously wrong with it.
I discovered fantasy and science fiction when I was about 10, and read nothing else for about three years. I ran out of all the books that there were to read in the library. I was keen on reading stuff that took me to other places.
I first read science fiction in the old British Chum annual when I was about 12 years old.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
For bedtime reading, I usually curl up with a good monograph on quantum physics or string theory, my specialty. But since I was a child, I have been fascinated by science fiction. My all-time favorite is 'The Foundation Trilogy,' by Isaac Asimov.
I grew up a really nerdy kid. I read science fiction and fantasy voraciously, for the first 16 years of my life. I read a lot of classic Cold War science fiction, which is much of the best science fiction, so I speak the language well, which is a commodity that's not easy to come by in Hollywood.
When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films. I don't think that there is any such thing as an old film; you don't say, 'I read an old book by Flaubert,' or 'I saw an old play by Moliere.'
By the time I was in my teens, I was reading science fiction. I had this maternal uncle who had cartons of books. It's important to read because you have to fill your head with words.
I had decided after 'Hollow Man' to stay away from science fiction. I felt I had done so much science fiction. Four of the six movies I made in Hollywood are science-fiction oriented, and even 'Basic Instinct' is kind of science fiction.
While I'm a big fan of science fiction, especially as rendered in expensive Hollywood blockbusters, it's the real universe that calls to me. To fall into a black hole, that is more amazing than anything I've ever read in a science-fiction story.
The best writing advice I had was [in] ‘Heinlein’s Rules for Writers’ by (American science fiction author) Robert A. Heinlein. His first rule is that you must write, and I was already doing that, but his second rule is, ‘You must finish what you write,’ and that had a big impact on me.
Without science fiction, without the influence these books have had on me over the years, I'm not sure I would care much about reading or writing today.
The first of the four noble truths of Buddhism, that there is suffering in life, was enormously important to me. No one had ever said it out loud. That had been my experience, of course, but no one had ever talked about it. I didn't know what to do with all the fear and emotions within, and here was the Buddha saying this truth right out loud.
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