A Quote by Teyonah Parris

Every time I get a role, or the opportunity to explore a role, I look at it, and I think, 'What is the story we're trying to tell here?' — © Teyonah Parris
Every time I get a role, or the opportunity to explore a role, I look at it, and I think, 'What is the story we're trying to tell here?'
As an actor, I look for the part itself. I look for the story and the role. If there's no money, but it's a good part in a good role, I'll still consider it. Basically, the worse the role is, the worse the story is, and the more they'll have to pay me. It's a simple correlation.
I think that every enduring story that has expressions over multiple periods, that role of being the keeper of the integrity of the vision is a very important role.
I look for what responsibility the character has in telling the story. If you remove the role from the story, can you still tell the story properly? And if the answer is no, then I'm interested.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
When it comes to the big issues like immigration, everyone has a role. The government has a role. The church has a role. Every Christian has a role.
When it comes to role models, as a person of faith, I think we all have one perfect role model. And when I'm asked that question, I point to God and to my faith. And that's where I tell my kids to look.
My favorite role is mommy. I know that sounds cheesy to people who don't have kids, or there are even some moms who think it's cheesy. It's a role you can't prepare for; it's a role you don't get paid to do, but it is the most rewarding role, and to me, it's been the most fulfilling.
I really do think that every time you play a role well, you are in danger of being identified with that role until the next big thing comes along.
Everybody has an opportunity to play a role, a playmaking role, so it makes it harder to coach. It takes a little more time.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
I would love to play a role that is a lead role that people appreciate and a lot of people get to see. I just don't want to have to fight for every role anymore.
I think the dream role is getting the opportunity to really sink my teeth into something and transform in the role.
What we do with our lives every day, whether at school, a desk job, or keeping the home in order, is our most basic opportunity to glorify God. That's what your role in His story looks like day in and day out. Instead of waiting to be offered a new role, play the current one well.
Doesn't make a difference who you're auditioning for; whatever it is, you have an audience, and you have a role, and you have the opportunity to perform that role the best you can for this audience. If you look at it like that, it doesn't make a difference if you get the part or not.
I look at every role like a role and whatever it needs, I do it. I am known for that.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
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