A Quote by Chick Corea

It's made music more accessible with YouTube and the ability to trade audio files. But it hasn't made it more popular. — © Chick Corea
It's made music more accessible with YouTube and the ability to trade audio files. But it hasn't made it more popular.
For the nerd in me, I prefer full quality digital files as they give a truer representation of the source mix, the studio in fact. From these files I can quite often tell what kind of set up made the tracks. For the music lover in me, vinyl is more woosey, richer, more alive, more real, more imperfect and somehow becoming more like life itself. But I don't prefer it per se. The mastering engineer in me always loves to hear it as it was made.
I was a musician who began playing with computers, to see if they could make some tasks simpler. I developed some "tricks" or strategies for working with audio files, and then discovered that the same tricks could be applied to video files, or really, any type of data. Previously I made many different kinds of music. I did some work as a composer of film scores. In that role, my task was to create audio to match and deepen the visual. In my work now, the role is often reversed: I have to create images to match and deepen the audio.
More and more of my audio fans are asking for audiobook versions - files without the intro/outro/etc that go into the podcasts. More and more want them from Audible.
Technology has made music accessible in a philosophically interesting way, which is great. But on the other hand, when everybody has the ability to make magic, it's like there's no more magic - if the audience can just do it themselves, why are they going to bother?
Digital files cannot be made uncopyable, any more than water can be made not wet.
Pop music is music that's made more accessible to people. And there's a certain lifestyle and everything that goes with it normally.
My policies and my record are very clear that I have made it easier to vote. We have made the elections process more accessible to people in Georgia, not less, despite their rhetoric.
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
I'm sure if we had made an album that was more traditional would have been released immediately. When we actually play this music on stage and people become familiar with it, it will become more popular.
Michael Bastian is a designer line and priced a certain way because of where it's made and the materials we use, and Gant is the more accessible version of that: more sports-inspired, more branding. It has the same DNA; it's just a different time and place.
Parenting put music in the right place for me. Touring was always the first priority before, but it isn't any more. And, paradoxically, that has made my ability to make music much easier.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
In the three years that nobody heard music from me, I made more music than I've ever made.
An element of exaggeration clings to the popular judgment: great vices are made greater, great virtues greater also; interesting incidents are made more interesting, softer legends more soft.
Having a daughter made my music, I guess, more meaningful. It made me see more of life when I had my daughter.
Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'
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