A Quote by Theodor Adorno

They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!
An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
In his late quartets, Beethoven introduces an element that shouldn't be there, that should be left for meditation, though I love them. I can see that through them came Wagner and Mahler and Schoenberg and Berg. And then came Tracey Emin. And I can see it all as one downward path.
If psychoanalysis was late 19th century secular Judaism’s way of finding spiritual meaning in a post-religious world, and retail is the late 20th century’s way of finding spiritual meaning in a post-religious world, what does it mean that I’m impersonating the father of psychoanalysis in a store window to commemorate a religious holiday?
Post-adolescence reaches usually into the late 30s.
There are things I'm never late for. I'm not late for the theater; I'm not late for the movies; I'm not late if my single girlfriend is at a bar somewhere. But if I'm on vacation in Mexico with a bunch of cackling hens, then I'm going to be late for dinner - count on it.
People start to talk about post-racist, post-feminist. What does that mean? We're clearly not post either. Would you say post-democracy? Clearly we haven't reached true democracy yet.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.
'The Washington Post' doesn't have to report on what I post on Twitter. CNN doesn't have to report on what I post on Twitter. All kinds of media outlets - they don't have to report on anything that I post on Twitter. Just like they don't have to report on all kinds of other things that other people post on Twitter.
I think we are aware that post-racialism isn't real, right? I mean, I hope so. I kind of joke that we're post-post-racial.
When you've been brought up in variety, I think timing is always important in your life. If I'm ever late for anything, whether it's personal or business, I always apologise. 'I'm sorry I'm late,' and all that. And if somebody is late meeting me, I expect them to say 'I'm sorry I'm late.' It's just, shall we say, showbiz etiquette of my day.
We are now living in a post-Roosevelt, post-Reagan universe. What comes next will not be post-partisan, because faction is an intrinsic human impulse.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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