A Quote by Theodore Zeldin

The French have made conversation their claim to civilisation. — © Theodore Zeldin
The French have made conversation their claim to civilisation.
No civilisation can claim to have a monopoly on universal values and no one can claim to be always faithful to his own values.
I really feel like civilisation's already over. It's not ending but it's already done. We're all addicted to the concept that humanity equals civilisation and that's not the case. We need a global conversation to be able to decipher how we can live from this point forward. We have to redefine our relationship with our environment.
During the civilisation and development process of more than 5,000 years, the Chinese nation has made an indelible contribution to the civilisation and advancement of mankind.
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.
Our use of the phrase 'The Dark Ages' to cover the period from 600 to 1000 marks our undue concentration on Western Europe. [...] From India to Spain, the brilliant civilisation of Islam flourished. What was lost to Christendom at this time was not lost to civilisation, but quite the contrary. [...] To us it seems that West-European civilisation is civilisation, but this is a narrow view.
The English, a spirited nation, claim the empire of the sea; the French, a calmer nation, claim that of the air.
From what I've read, everyone has a claim on Merlin. Was he Scottish, Welsh, English or even French? All these countries have got a big claim on him and Camelot. That's why the Arthurian legends are so popular - because they are such good stories.
The irrepressible spirit that made his playing seem like good conversation is the Rubinstein legacy for pianists, if they can pick up their heads from the keyboard long enough to claim it.
The direction of society has been taken over by a type of man who is not interested in the principles of civilisation. Not of this or that civilisation but from what we can judge today of any civilisation. The type of man dominant today is a primitive one, a Naturmensch rising up in the midst of a civilised world.
I never claim my photographs reveal some definitive truth. I claim that this is what I saw and felt about the subject at the time the pictures were made. That's all that any photographer can claim. I do not know any great photographer who would presume otherwise.
Science makes no claim to infallibility; it leaves that claim to be made by theologians.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
Civilisation is never so charming as when it is an island in the middle of simplicity, or of a civilisation of an alien kind.
I think that our civilisation is very much a visual civilisation - television and videos and all this.
Ordinarily, I'd claim that I'd never write directly about my children, but the opening conversation of 'Peter Elroy' is a verbatim conversation that my children had that I just loved: morbid, funny, passionate, and obsessed with the truth of things - all natural qualities of children that I'd like my work to contain.
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