A Quote by Theodora Goss
I actually pushed the boundaries on how long a book like this [The Thorn and the Blossom] can be. The original plan called for two 7,500 word stories, and I turned in two 10,000 word stories.
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The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
There is no way that you can read the entire Bible seriously and take every word literally. Contradictions start in the first chapter of Genesis. There are two Creation stories, two stories of the making of Adam and Eve. And that is all right. The Bible is still true.
Why the connection with musicians? I think it's because in the end we're doing very similar things - we're telling stories, we're using poetic, lyrical language, and we're distilling stories down into their simplest form. We're both telling a story in two languages - word and music for them; and word and image for me.
The first script was one of six original stories I had written in the form of two trilogies. After the success of Star Wars, I added another trilogy. So now there are nine stories. The original two trilogies were conceived of as six films of which the first film was number four.
A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
The films that I've done before were original stories most of the time, I did two adaptations before this, but they were mostly original stories where I had complete freedom to evolve in the direction I wanted.
Writing two stories [in the Thorn and the Blossom] about the same set of events that were complete stories in themselves, but also added up to a larger story. As I was writing them, I kept going back and forth, because something would happen in one story that would have to be reflected in the other story. And yet the same event would also have to be perceived in different ways by Brendan and Evelyn, because they are different people with their own interpretations.
Word spread because word will spread. Stories and secrets fight, stories win, shed new secrets, which new stories fight, and on.
The Thorn and the Blossom isn't just a love story. It's about two people who decide what they actually want to do artistically, despite discouragement. In some ways, that's just as important as the romance.
Hersesy is denying the word of God, and the word of God is much more reliably expressed in the natural world as it’s revealed through reason and science than in what I have heard described wonderfully as “the giant book of Jewish fairy stories".
When I realized I wanted to do more writing and less traveling around the world teaching live seminars, I decided to write the first 'Chicken Soup for the Soul(R)' book. I knew I wanted to have 100 stories in the book, so I wrote or edited two stories a week for a year.
I love hearing stories, telling stories, sharing stories. I've shared 37,000 on the Oprah show! Every day I was like the town crier.
Scrivener is where I live. I'm planning the next novel, two screenplays and a couple of short stories with it and it's amazing how fluid the software makes the process. I genuinely think this is the biggest software advance for writers since the word processor.
Once upon a time, there was a prostitute called Maria. Wait a minute. "Once upon a time" is how all the best children's stories begin, and "prostitute" is a word for adults. How can I start a book with this apparent contradiction? But since, at every moment of our lives, we all have one foot in a fairy tale and the other in the abyss, let's keep that beginning.
Journalism schools are good to get a job, but I don't know what else they are good for. I don't like the word "journalism" to begin with. It's news reporting, and that consists of using your two feet. The only lesson, then, that you could give people is how to climb stairs, because there are no stories on the first floor.
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