A Quote by Teresa Palmer

I can walk around relatively anonymously. — © Teresa Palmer
I can walk around relatively anonymously.
It's weird... I've been an actor for a long time and you can walk around more or less anonymously.
No-one really feels self-confident deep down because it's an artificial idea. Really, people aren't that worried about what you're doing or what you're saying, so you can drift around the world relatively anonymously: you must not feel persecuted and examined. Liberate yourself from that idea that people are watching you.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
Previously people were treated anonymously particular on a drugs situation which is obviously highly emotive. They have been treated anonymously even after the verdict had been reached.
The people on the streets just say 'hi' and let me walk on. They take relatively few photos, and those that do are tourists. Munich natives are relatively relaxed. They pretty much leave me in peace and I think that's very good. The Bavarian mentality fits very well to me.
I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
I don't walk around with fear. I walk around with strength. I believe in cause and effect.
What I do is spend too much time thinking. Most of the time I just walk around annoyed. Would I describe myself as relatively happy, I suppose, but society gets to me. And the people that have mastered life seem to not care, and then they die, and then the grenade goes off.
Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
I just like to walk around New York, just put my iPod on and walk around.
I would walk around in all these cities we lived in because my dad would move around so much. I would just walk the streets with a ball in my hand, and my mom holding my other handing waiting to find a hoop to play in. That was my first love of basketball.
We don't walk around wearing candy stuff all day or colorful stuff. It's like, I walk around wearing black.
Apparently I don't do stairs, I won't walk on carpet and I refuse to walk on grass. How do I do to get around, hover?
The masses in any given place are generally composed of three parts, the relatively active, the intermediate and the relatively backward. The leaders must therefore be skilled in uniting the small number of active elements around the leadership and must rely on them to raise the level of the intermediate elements and to win over the backward elements.
I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
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