A Quote by Terrance Hayes
One of Still Lifes many achievements is its paradoxical mix of intensity and stillness. Alexander Longs visions of landscape, identity and "History itself, a joke that no one gets" are simultaneously meditative and alert, restless and focused. This is a smart, compassionate poet. Still Life is a mesmerizing new book.
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There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.
We're living in a tremendously new landscape, and the possibility of what can be created is immense. These tools of the moving image have a relatively short history in art, and what we can do with them is still largely unknown. We are still innovating and finding ways to tell stories.
Awareness means to listen to me unfocused - alert of course, not fallen asleep, but alert to these birds, their chirping, alert to the wind that passes through the trees, alert to everything that is happening. Concentration excludes much, includes little. Awareness excludes nothing, includes all. Awareness is a state of no-mind. You are, yet you are not focused. You are just a mirror reflecting all, echoing all; see the beauty of it and the silence and the stillness.
I wasn't a smart kid and I still don't think I'm too smart when it comes to book smart, but I was very good with what I knew and with my craft and I think that was my calling in life. But even today I never went to college.
Learning how to be still, to really be still and let life happen - that stillness becomes a radiance.
People are used to seeing natural history programmes that have been filmed over many years which are concentrated, focused visions of natural history.
Living in Baltimore at age 11, I was still not single-focused on tennis. I still played other sports. It was becoming a bigger part of my life, but it was still mainly my summer hobby.
No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
I'm making fun of midwestern homophobia [in the joke], but I'm still saying faggot. And almost every month as I'm doing that joke it gets five percent less of a laugh.
I have just instructed Laxmi to make a small temple for smoking here in the ashram. But you have to go very alert, aware, meditative! If you can smoke meditatively, it is perfectly beautiful. If it stops by being meditative, that too is perfectly beautiful. Life is sacred.
Dozens of chemotherapy treatments and one bone marrow transplant later, I wish I could say that I've mastered the art of not working. But there are still days when I wake up feeling simultaneously restless and bored.
I'm a filmmaker. I'm an artist. I've chosen to work in history the way someone might choose to work in still lifes or landscapes.
The land retains an identity of its own, still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind, with an attitude of regard...be alert for its openings, for that moment when something sacred reveals itself within the mundane, and you know the land knows you are there.
Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.
A poet in history is divine, but a poet in the next room is a joke.
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