A Quote by Terry Bradshaw
After three failed marriages, I know what it's like to be replaced. So that's kind of how Joey Harrington must feel today... A former No. 1 choice looks to me like he's going to be a bust in Detroit.
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After three failed marriages, I know what its like to be replaced. So thats kind of how Joey Harrington must feel today. ... A former No. 1 choice looks to me like hes going to be a bust in Detroit.
After three failed marriages, I know what it's like to be replaced.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
So many people giving you so many opinions about how you look. It's hard for me to gauge what people are sometimes getting at. This brings up my suspicious side. I feel you just have to be confident with yourself. I feel topics like, "Oh, she looks beautiful today" or "She looks a mess today without her makeup"-that's always going to come my way, so I just think it's all about self-confidence.
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
How I wish the mass media had christened me Joe instead of Joey. I hate Joey, not going to lie. Nobody I respect calls me it.
I don’t want to love him—this would be so much simpler if I didn’t. But I do. He’s funny, and passionate, and strong, and he believes in me more than I even believe in myself. When he looks at me, I feel like I could take on the whole world and come out standing tall. I like myself better when I’m with him, because of how he sees me. He makes me feel beautiful and powerful, like I’m the most important thing in the world, and I don’t know how to walk away from that. I don’t know how to walk away from him.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
I know how I like my house. I like it cute and cozy and a little funky, and I like it to feel lived in and worn, and I like the things inside of it to work. That's all. And for me, it's fine that my house's interior suggests that I might not spend every waking moment thinking about how it looks.
A kid will be like, 'Yo, you're Big Daddy Kane. My father listens to you!' It kind of makes you feel like one of the Platters or Temptations or something. You feel like you're super-old. But then again on the flipside it's cool to see like someone that's two or three generations after you excited.
I feel like it doesn't matter how much I sell; I know what kind of product I have. It's going to be legendary. I know it's going to last forever. I know once people hear it, people will be like, "Damn. This is really it."
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
Marriages are under strain today in terms of economics. There are social cross-currents. We see failed marriages. But it is not under attack by our gay and lesbian citizens.
I don't think Joey Harrington is good enough to be a starting quarterback in the NFL.
When I'm on stage, it's really intense. My mind is going a million miles an hour, trying to remember my act, trying to say it all the right way. It's funny how different it looks and how it's happening. There are three Fellini circuses in my head, and outwardly it looks like I'm going to get a bagel.
My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.
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