A Quote by Terri Clark
I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles... there were a lot of things I did out of the joy and the want to do it.
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I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I think that I have grown a lot as an artist. I have been writing about my experiences of love and overcoming the struggles that I have faced in the music industry. I have so much more to tell my fans, and I know so much more about myself. It is crazy how much I have grown over these past years.
I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.
When the Beatles came in, I really concentrated on making a lot of movies. Those beach films that we did were a lot fun. They hit with an audience that related to what we were trying to do on the screen. That kept me going all through that Beatle period.
I needed to do a lot of saying no. I had a lot of [interest] from people who I just didn't think were quite right for it. And I didn't want a bad film to be made of the book, either a sentimental one or a creepy one, so I did a lot of, "No thank you." Then when the right filmmaker came along, yes, I suppose I presented myself very much as wanting to be the writer.
When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
I caught up on a lot of just domestic normal everyday stuff, and grew up a lot, and went to therapy, and did a lot of contemplating and figuring things out. I needed to just strip everything away and figure out who I am and get to know myself, as cheesy as that sounds.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
Most artists should be able to make the album that they want. You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process.
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