A Quote by Terry O'Quinn

I think sometimes you can grow up with faith, or if you're just the kind of animal who grabs onto it or doesn't grab onto it. I wasn't a big grabbing-onto-it kind of animal. I found my faith to be more about my belief, my spirituality, about nature.
I found my faith to be more about my belief, my spirituality, about nature.
As musicians it's often difficult. You go to a dinner party and most people treat you like some kind of exotic animal and in a way like you don't have any problems and that it's all fantastic and glamorous and that you wake up in the morning, you kick the groupies out of bed, you roll onto the floor onto a needle, right, which fills you with a lovely substance, you roll into the gutter and you stare at the moon and out comes beautiful poetry. The fact of the matter is that that's nonsense. It's a lot of hard work.
Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
I think ultimately that sense of hope is something that even as a little kid I was able to kind of grab onto.
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
I anticipated we would go to college, and then we would fade out - that was kind of what we wanted at the time - but social media hung onto my brother and I, and thankfully, fans hung onto my brother and I, and I think it's one of the reasons that this reemergence can come back with a little more strength, and I'm very thankful for that.
Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.
The culture of buying an album on CD or vinyl has gone out of the window. A lot of kids don't really understand that, they just hop onto Limewire, or find a BitTorrent, or even just go onto iTunes if they're going to pay for something. It's just right there, there's no searching about.
When people are grieving, it's kind of like a storm, and you need something to grab onto, but often you have to brave it on your own.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
I fear animals regard man as a creature of their own kind which has in a highly dangerous fashion lost its healthy animal reason - as the mad animal, as the laughing animal, as the weeping animal, as the unhappy animal.
I never grew up a runner. I never thought of myself as somebody that was fit or somebody that could advocate for that and then the more people kind of have caught onto it, it's inspired me to keep going, the more I keep doing it. And it's just kind of become something that I really like and I think it's relatable in the sense of I'm not an athlete.
I do have faith. I don't have faith that a God exists, nor do I have faith that one does not; I have absolute faith that I do not know, cannot know, am only human, am an infinitesimal creature packed onto a cramped planet crowded with seven billion bodies, and as many yearning hearts, and as many questioning minds.
Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage.
The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.
One thing about me, I think, over the years I've walked onto the court earlier than I was supposed to and it kind of lingered into something else.
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