A Quote by Terry Semel

Sometimes, on a personal level, I wince. — © Terry Semel
Sometimes, on a personal level, I wince.
I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
On a level of simple personal survival, understanding and forgiveness are crucial... whether in an intimate personal relationship or on a global level.
Love is transient even on a very personal level. We lose everyone that we love. Sometimes we drift apart and sometimes we die.
Some things are just really difficult to do. That's what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
For me, anything goes when I pick up a mike. I'm not trying to hurt people - I try not to get too personal - but I look at myself as a reporter. If you can report on anything that has to do with pop culture, then why can't I make jokes about it? Yes, it hurts. But I figure that laughter sometimes starts from pain. You might wince, but then I know that I'm doing my job. The only thing I can do wrong is not be funny.
I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
Usually horror in your personal life can translate into some good music. Sometimes. Sometimes it can be really maudlin and boring, and kind of personal.
I just think lots of words have physicality. How about the word 'wobble?' You think that's arbitrary? When you say the word 'wince,' you wince. How about that?
My job is very simply that of a photojournalist. I want to stop people's eye on the page, I want to move the viewer to laughter, to sadness, sometimes to wince - not to impress other photographers.
Even the small amount of infamy I have makes me uncomfortable - on a personal level and on a professional level.
I believe that all fiction is personal and all writing is at some level personal.
I think we at the faculty level have to model this behavior of having people that really truly disagree with one another be able to discuss those beliefs with one another at the level of discussion and argument and not at the level of, you know, personal attack so that our students can learn how to do that, too.
It is not good thinking - either at the corporate level or at the personal level - to believe you can simply walk away from your circumstances.
Criticism and rejection are not personal insults, but your artistic component will not know that. It will quiver and wince and run to cover, and you will have trouble in luring it out again to observe and weave tales and find words for all the thousand shades of feeling that go to make up a story.
There can be a blurry line between laughing at the expense of a character and laughing at the recognition of something painful and true. But blurry as it may be, it is nevertheless unmistakable, and sometimes the laughter I hear makes me wince.
I'm not prescribing non-doing as a universal response to our problems. Sometimes, something obviously needs to be done. And we retreat into a spiritual or meditative state that we fancy up by calling it mindfulness, but really it's an unhealthy detachment and a shrinking back from life. But culturally, it's much more common to be trapped in habits of reaction, whether on a systemic level or on a personal level. That's where the non-doing comes in, which is something that we don't really have room for. I think that it's something we need to embrace as part of the creative process.
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