A Quote by Tessa Thompson

I think I've realized that when you are aiming to create a real body of work, you are as much defined by the things you don't do as by the things you do. — © Tessa Thompson
I think I've realized that when you are aiming to create a real body of work, you are as much defined by the things you don't do as by the things you do.
I think I've realized that when you are aiming to create a real body of work, you are as much defined by the things you don't do, as by the things you do.
It is a mark of a mean capacity to spend much time on the things which concern the body, such as much exercise, much eating, much drinking, much easing of the body, much copulation. But these things should be done as subordinate things: and let all your care be directed to the mind.
When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.
As people who make things, we have the ability to think of the most vile, awful things we can imagine, but it doesn't mean we believe those things. I allow myself to go places in my videos that I would never go in my real life.And I think that there has to be that place where you can create and not have to be living it in real life.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
I wanted to do journalism, as I was an idealist. Then, in my second year of journalism, I realized that in real life, things don't work the way you expect them to. I realized that I could express my ideas better through films.
I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.
People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create.
I think as you get older and things don't work as much as they used to, you've got to have a tendency to do what's right for your body.
My main intention was to not only create collections that defined myself and style, but to also create things that my fans identify with me and feel a belonging to.
When you can put your whole body into things, you can create so much power.
When I do an action thing, it speaks louder than the things that I've done that are dramatic and comedy. Actually, if you look at my resume, I have just as much comedic things as dramas, and I have far less action things than all of the other things, but I'm kind of defined as an action person.
British press think entirely in clichés, and when they do come across creative work, they think that it must be based on something, because they don't realize that you can create things that aren't based on things.
I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun.
Different things work for different people. One thing I've realized, though, is that the work that I've done on myself outside of my work as an actress has really allowed me to open up my mind. I think I understand my emotional state and my complexities now in a much clearer way, and I can put them to rest in a way that there's almost a catharsis that happens through the work, where I can do it and then find myself again.
I don't think my voice has changed very much when it comes to things that I create. It's just my perspective, my point of view, and I guess that really hasn't changed very much. Luckily, it hasn't had to change in order for me to work.
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