A Quote by Tessa Thompson
The beauty of working on a show like 'Westworld' is we're painting a not-too-distant future and talking about an aspirational sense of what power looks like in the future.
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I often daydream about the future, thinking of the world in 100, 200 years, imagining what it looks like, feels like. I hope that my books are like ghosts that will inhabit this future.
The future looks like gasoline. . . . crude oil . . . is the future before it has been refined. It is like a dream of the future, really, and like any dream it ends with a rude awakening.
I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.
It's kind of pathetic actually that we are all sitting here talking about Forth. It is not the wave of the future. It's never been the wave of the future. It's not within our power to make it the wave of the future.
I have a general sense of excitement about the future, and I don't know what that looks like yet. But it will be whatever I make it.
No one "discovers" the future. The future is not a discovery. The future is not a destiny. The future is a decision, an intervention. Do nothing and we drift fatalistically into a future not driven by technology alone, but by other people's need, greed, and creed. The future is not some dim and distant region out there in time. The future is a reality that is coming to pass with each passing day, with each passing decision.
[I predict] the electricity generated by water power is the only thing that is going to keep future generations from freezing. Now we use coal whenever we produce electric power by steam engine, but there will be a time when there'll be no more coal to use. That time is not in the very distant future. ... Oil is too insignificant in its available supply to come into much consideration.
But if you think about a practical implication of enriching your life and giving you a sense of being part of a larger cosmos and possibly being able to use this [gravitational waves] as a tool in the future maybe to listen not just to black holes colliding, but maybe listen to the big bang itself, those kind of applications may happen in the not too distant future.
Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future.
I believe that the totemic image for the future is the octopus. This is because the squids and octopi have perfected a form of communication that is both psychedelic and telepathic; a model for the human communications of the future. In the not-too-distant future men and women may shed the monkey body to become virtual octopi swimming in a silicon sea.
I feel like I've mastered what nervousness is, and simply, nervousness is, fearing the future. Or, I like to put it as, thinking about things that you don't want in the future. Normally, artists may think, 'What if my show doesn't go well?' Boom. That's going to cause nervousness.
We cannot create blueprint for future society, but it is good to think about that. It is good to have in mind a goal. It is constructive, it is helpful, it is healthy, to think about what future society might be like, because then it guides you somewhat what you are doing today, but only so long as this discussions about future society don't become obstacles to working towards this future society. Otherwise you can spend discussing this utopian possibility versus that utopian possibility, and in the mean time you are not acting in a way that would bring you closer to that.
For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.
The one thing we know about the future is that it will not be like today. I don't think that people should be too anxious about not knowing what they are going to do in the future, because we really can't know.
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
There is beauty everywhere on earth, but there is greater beauty in those places where one feels that sense of ease which comes from no longer having to put off one’s dreams until some improbable future – a future inexorably shrinking away; where the fear that has pervaded one’s life suddenly vanishes because there is... nothing to be afraid of.
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