A Quote by T.I.

I don't really like the sound of Auto-Tune. I don't like when it's extremely audible, when you're able to detect it easily. I don't like that. — © T.I.
I don't really like the sound of Auto-Tune. I don't like when it's extremely audible, when you're able to detect it easily. I don't like that.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
You can take a bad singer and make them sound decent; you couldn't do that in the past... With things like Pro Tools and all the other things you have available; like auto tune, and pitch correction you can make someone who can't sing into someone who can.
I use Auto-Tune but it's not to mask anything. If you come to see me live, I can sing on the spot. Auto-tune is just for the recording. It keeps everything really precise.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
Prada is extremely directed in terms of communicating what they like and what they don't like. That is actually extremely pleasant because it clarifies very easily what you can do and what you need to do.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
Evil or not, the recording industry kept Auto-Tune on the down-low. Cher's producer forced Auto-Tune to jump suddenly from one pitch to the next.
People got a little too self-conscious about the techniques that go into recording because sometimes, if you sing too well in tune, people accuse you of auto-tuning. It's like you have to use auto-detuning or something.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
No disrespect to people that don't use music theory or don't know it. It does help to be able to figure out what key a song is in, even though with your scales you can figure it out so you can set your Auto-Tune right. So many songs with Auto-Tune are off or have the wrong note playing on the 808. And they pass it off as being hood.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
This is extremely challenging when you sound like a 12-year-old girl, and you decide your first personal endeavor is to play, like, a - like, a very macho dude.
I like me some of Wayne stuff. I think he's the one exception as far as the auto-tune thing goes.
Between 2014 and 2016, I was just, like, extremely sad. Like, really, really just not able to be in the spotlight.
They will be like shadows, they will be like wraiths, gray members of a congregation of nightmare; hark! his long wavering howl . . . an aria of fear made audible. The wolfsong is the sound of the rending you will suffer, in itself a murdering.
Well, I'm kind of an urban girl, I like big cities. I like New York, I like London, I like L.A. I like people, I get lonely, really, really easily. But, I think it was good. It was very different and I think that's good.
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