A Quote by Tig Notaro

People don't talk about small-town racism in Illinois or upstate New York. They're like, 'It's the South.' And it is. It's there. But it's everywhere. But everywhere, there are also amazing people.
In the sense of media saying this about themselves, I drive to my kids' school in upstate New York through rural Virginia, Maryland, Pennsylvania, New York; [Donald] Trump signs everywhere.
All people talk of money sometimes, everywhere. But not for all people, everywhere, is money the addiction, the obsession, the stimulant, that it seems to be in New York. It is a large part of the clamor, and it is the voice - quite literally - of the man in the street.
I was brought up in a very small town in upstate New York.
I grew up in a super small town in upstate New York; my nearest neighbour was really far away.
It's very seldom that we see the good of the South. There is a perception that Southerners are racists and everyone else in the nation is 'enlightened.' There is racism everywhere, and there is good everywhere.
Growing up in a small town in upstate New York, some of the first real friendships I had were in chat rooms.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.
The clashes of people and the clashes of cultures have assisted me in learning the openness you have to be a part of in New York. You're always meeting people who are different than you. You always have to find a way to exist in it and also find a way to be yourself. In Stockholm, I thought I was artsy, then I came to New York and was like, "there's a bunch of artsy people everywhere!" It really forced me to start looking myself and ask. "what does it mean to be me?"
There's a tendency for people in New York to think the world exists between the East and the Hudson Rivers, and I don't share that opinion. To me the world is a big place and I try to reach people everywhere. Listen, if I'm nothing else, I feel I've been a man of the people. I'm not going to pretend to be one of those snobby New York theater people.
The best thing about being in New York is the people, and you get to walk everywhere.
I get I style inspiration everywhere: the streets of New York, magazines... everywhere!
People everywhere are about the same, but ... it did seem that in a small town, where evil is harder to accomplish, where opportunities for privacy are scarcer, that people can invent more of it in other people's names. Because that was all it required: that idea, that single idle word blown from mind to mind.
When I was a drunk, New York was the greatest place in the world. You walk everywhere, everything is open until four in the morning, and people go to New York looking for debauchery.
Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was.
My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
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