A Quote by Tim Daly

I'm probably my own harshest critic. If I get a hundred good reviews and one really bad one, it's that one out of a hundred that I remember. I think we actors are hard on ourselves, and I don't know why that is.
You know, you get a bad review as a writer, you remember it for 10 years. You get a hundred good reviews, you forget them all. You say hello to a hundred people in the city and it doesn't mean anything to you. One racist comment passes by, and it sticks with you a decade.
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.
As cricketers we fail all the time. You score a hundred every now and again but you get out between nought and 20 far more often. If you get 50, you feel bad because you should have got a hundred. Even if you get a hundred, you feel you should have got 150. So you're always failing.
In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
I'm my own worst critic and harshest critic and I just want to put honest music out there.
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
What I think of as a mistake might be something that does really well at the box office, so I'm my own harshest critic - as we all are, really.
You go on a million auditions anyway as an actor, and one out of a hundred, you get. It's a hard life, but you can't really think about it that way.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
Just because an apple falls one hundred times out of a hundred does not mean it will fall on the hundred and first.
I'm a lesbian. Yup. Hundred percent. Hundred percent. I remember being in college, and I had fallen in love with this woman, and I remember sitting in my dorm room saying out loud to myself, like, 'You have enough problems. You are not gonna let this happen.'
I love Groot so much I get teary eyed when I think of him sometimes. Essentially, all the Guardians start out the movie as bastards - except Groot. He’s an innocent. He’s a hundred percent deadly and a hundred percent sweet. He’s caught up in Rocket’s life, really.
We are, largely, who we remember ourselves to be. That's why habits are so hard to break. If we know ourselves to be liars, we expect not to tell the truth. If we think of ourselves as honest, we try harder.
It's hard when you read an article saying bad things about you. It is as if someone is sticking a knife on your heart. But I am the harshest critic of my work.
This site uses cookies to ensure you get the best experience. More info...
Got it!