A Quote by Tim Leffel

If Bruce Springsteen, Harlan Howard, or Tom Waits can tell a character's whole story in four minutes, maybe you don't need as many words as you think to make an impact.
It's always Bob Dylan, Bruce Springsteen, and Tom Waits for me - the big three.
I'm a big fan of Bruce Springsteen and Tom Petty, they're my two favorites.
I'm an old rock and roll buff. I love Bruce Springsteen and Tom Petty.
I remember writing '5 Dollars' out of intense listening sessions of Bruce Springsteen. I don't know if it's obvious, but I was obsessed with how limpid Bruce Springsteen's melodies are: It's such a great way to do storytelling and to still be melodic and catchy.
I'd always been a fan growing up, and in high school, I was really into Tom Petty and Bruce Springsteen.
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
When you see a Bruce Springsteen or Tom Petty or Jackson Browne show, the impression you get is that you'd love to have a beer with them. That's the image they project.
My favourite writers are always great storytellers, like Bruce Springsteen; I adore Bruce Springsteen. I feel like he doesn't beat around the bush, and he doesn't overcomplicate things. He puts things into layman's terms and tells stories that anyone can understand.
If I'm in a bar and I gotta be sitting next to some clown who's like, "It's my tune," I don't want to hear you belt out Bruce Springsteen. That's why we have jukeboxes! Let's let Bruce be Bruce.
Maybe I'm not as big a star as Bruce Springsteen because I'm not as good. I don't know. It doesn't matter. I still have an audience of a certain size. I think it's one of the things I'm luckiest.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
But I think for me, writing poetry when I was younger really helped me to condense an idea or a story into only so many words, because in a song you really only have three, four minutes to have a complete world in this song, so I think it definitely taught me to be concise.
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