A Quote by Tim Pigott-Smith
When 'Jewel' was screened, old friends from school and university got back in touch. More than one of them told me that their partners hated Merrick so much they could not think of having me in the house. This kind of audience identification does not happen in any other medium.
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Having had polio never held me back as I got older. Although having one leg smaller than the other isn't much fun, I could always get about without any trouble. Luckily, in the music industry, everyone was only interested in my singing and playing and not the size of my legs.
When I was writing The Shadow of the Glen I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servent girls in the kitchen.
People have told me 'Betty, Facebook is a great way to keep in touch with old friends...' .. At my age, if I wanted to keep in touch with old friends, I'd need a Ouija board
Nothing could have been worse for the development of my mind than Dr. Butler's school, as it was strictly classical, nothing else being taught, except a little ancient geography and history. The school as a means of education to me was simply a blank. During my whole life I have been singularly incapable of mastering any language. Especial attention was paid to versemaking, and this I could never do well. I had many friends, and got together a good collection of old verses, which by patching together, sometimes aided by other boys, I could work into any subject.
I hated high school. I watched my older siblings out in the world and they seemed to be having a much better time than me. I could not wait to be an adult.
The pressure of his touch through my jacket and my sweater was more assurance than any promise ever made to me. It was a touch that said, I have your back and I am here for you. If a girl wasn't careful, she could fall in love with a touch like that.
I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the university. But it was better than the university band.
I told my father I wanted to go to the stock market. My father reacted by telling me not to ask him or any of his friends for money. He, however, told me that I could live in the house in Mumbai and that if I did not do well in the market I could always earn my livelihood as chartered accountant. This sense of security really drove me in life.
I never enjoyed school and I was never that good at school so leaving wasn't the biggest thing, but the social aspect of school, leaving your friends, you lose contact with them a bit and now I have more friends at the race track than the friends I keep in touch with at school.
All the lessons I learned from my grandfather from the day I was born until the day he passed away served me well, and I think about them and use them every day. It was much more valuable than any business school could have provided.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'
still, what could i say? that i didn't just feel depressed - instead, it was like the depression was the core of me, of every part of me, from my mind to my bones? that if he got blue, i got black? that i hated those pills so much, because i knew how much i relied on them to live?
If I told a lie, then I got to come back and correct it years later. I hate that I have to be the person that touch on their life and be personal and be direct with certain situations, but man, I'm glad that it's me than them.
At some of the darkest moments in my life, some people I thought of as friends deserted me-some because they cared about me and it hurt them to see me in pain; others because I reminded them of their own vulnerability, and that was more than they could handle. But real friends overcame their discomfort and came to sit with me. If they had not words to make me feel better, they sat in silence (much better than saying, "You'll get over it," or "It's not so bad; others have it worse") and I loved them for it.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
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