A Quote by Tim Sweeney

Fortnite, because of its visual style, it's widely acceptable to just about everyone. It's open up to a much wider audience than a realistic, military-style simulation.
I grew up in a military family, and there's something about that military-style uniform, all cleaned up, a brutal control effort the military necessarily breeds.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
Everyone has their style and your style explains a lot about who you are - you feel me? I've had style since childhood, so I like to dress how I feel. But maybe I get carried away by some trends.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
My personal style at this point in my life is more audio; it's more driven on less visual and more musicality. But because of my upbringing, my fabulous mentors and teachers that I've had throughout my dance journey or career, I also possess a style that is of the past. It was just a matter of me reaching back.
That's one of the best things about being an Indian, our sense of style allows for a much wider selection of colour.
Jazz infers a style, but creative music has a wider field and wider specification about it. We know it from people like Scott Joplin and on through Bessie Smith.
I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.
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