A Quote by Tim Winton

I grew up in a family that believed love was at work in the world. I guess that's a religious idea, though of course it needn't be. — © Tim Winton
I grew up in a family that believed love was at work in the world. I guess that's a religious idea, though of course it needn't be.
I grew up in a somewhat religious family. My dad's family isn't religious at all, but my mom's side of the family is, so I was exposed to church a bit.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
Even though I grew up in L.A., no one in my family was in the movie industry. I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
I love the South. Although I grew up primarily in Memphis, my family moved around a ton when I was a kid. I guess I never stayed in one place long enough to pick up the accent, but I definitely identify as a Southerner.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
I dont love the phrase balancing work and family. It sets up this idea of scales of justice with work on one side and family on the other side.
I don't love the phrase 'balancing work and family.' It sets up this idea of scales of justice with work on one side and family on the other side.
The faith I was born into formed me. I come from a missionary family - I grew up in China - and in my case, my religious upbringing was positive. Of course, not everyone has this experience. I know many of my students are what I have come to think of as wounded Christians or wounded Jews.
I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
What people like to comment on a lot is that I grew up in a religious family; my father is a pastor, and now I'm playing the devil. Thankfully, my family see the humorous side of the job.
I grew up with brothers. I love men. Of course it's hard to be a woman in a man's world.
I grew up in South Mumbai and I am a total homebody, so I was not seen around. I guess that's the reason many believed that I wasn't Indian or can't speak Hindi.
I was aware of it, but I grew up in a very a-religious family. My mother never went to church, she never had any religious training or background. It was never a part of our social interaction.
I grew up in a family that believed that art should be used as an instrument for social change.
I grew up in a religious family, and we weren't allowed to listen to rock music.
There has been a religious revival because - let me put it like this, the people that weren't traditionally religious, conventionally religious, had a religion of their own in my youth. These were liberals who believed in the idea of progress or they were Marxists. Both of these secular religions have broken down.
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