A Quote by Tina Barney
I never thought that my work was going to become well-known. It started happening slowly, without my realizing it. But when I did, it was terrifying. I still can't believe that people let me photograph them. The trust is amazing. But I've always put them in a context that is dignified, and that's really important.
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I started doing yoga in my 20s. I did teacher training, that was what I was going to do if acting didn't work out. I started teaching other actors right at the beginning of the yoga craze - people still thought it was a little weird, but a lot of actors I knew were getting into it and didn't want to look foolish in class. So I started teaching them!
Touring was an abstract idea for me in the beginning. I didn't know where it was going to take me, but I knew that I wanted to go and play for lots of people. I always had that image in my mind. I had no idea what the touring experience was like, and how it was going to unfold, but I knew that I wanted to tour. Then it just started happening slowly started happening.
Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
With all my employees, I listen to them, trust in them, believe in them, respect them and let them have a go! I never believe I know better than they do and have been fortunate over the years to build up a very strong management team whom I can trust and take advice from.
And that point is, it doesn't matter how long you've known somebody. People change. Or you don't really know them as well as you thought you did in the first place.
I always had a very strong sense of responsibility, so the minute I started to work in fashion, I was always tremendously serious-too much sometimes. Of course, you can make a lot of mistakes in this job-I still do-but you need to limit them as much as possible. When you're responsible for such a huge company, you cannot play too much. In the beginning, I was working 20 hours per day and I was going crazy. I learned that I needed to delegate and to trust the people around me, but there is still not one element that I don't see or edit or discuss with my people.
I've never had a ground-breaking hit that changed the deal. It's always been slowly but surely for me, and I've never had a moment of sheer panic when I thought I was never going to work again. So I can't really complain.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
When I moved to Los Angeles, I figured I'm really going to make an attempt to become a real actor. And when I did that, I thought it was time for me to face my parents and tell them what I did.
The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.
Trust is an amazing commodity. The Afghan people often talk to me about having to develop trust in America, because they believe that we deserted them in 1990 and 1991.
Art is collaboration: we are artists all over the world. I believe that people are always going to watch Hindi films... that's never going to die, but I think it's amazing that collaborations like that are happening.
I always wanted to be the underdog. For me, as a portrait photographer, it's the kiss of death to become well known. I did my best work when no one knew who I was. People weren't threatened by me because they didn't think I was a big deal.
No matter how old we become, we can still call them 'Holy Mother' and 'Father' and put a child-like trust in them.
When they [young people] believe they are the difference! That their voice matters and to use the incredible power each one of them has. I work with an amazing young man, Jaylen Arnold, who started a foundation and a movement to educate people about tolerance and to stop bullying when he was eight years old. He never ceases to inspire me.
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