A Quote by Tina Barney

Does getting closer to the subject make the photograph more intimate? I'm sure it takes more than that. What comes next? The face, the nude? That's what I'd love to do. Who would even let me do that?
I would love to go to smaller places in the UK such as Manchester and Liverpool and play there. It's much more intimate; you got to get down and gritty, getting closer to the people.
(1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture.
money is a more taboo subject than sex. If you don't believe me, think about this: you have friends who tell you the intimate details of their sex-lives but they would be shocked if you asked them how much money they make.
I just have one of those faces. People come up to me and say, 'What's wrong?' Nothing. 'Well, it takes more energy to frown than it does to smile.' Yeah, you know it takes more energy to point that out than it does to leave me alone?
Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?
Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same.
I would love nothing more than me and my family getting green cards, going to L.A. for a year, sitting down with the big Hollywood studios and coming up with the most advanced and awesome Internet distribution platform for movies. It would make Hollywood more money than cinemas, DVDs, and everything else combined.
When I was Chairman of the Joint Chiefs of Staff, I would still have junior officers brief me. Usually these people knew more about the subject we were discussing than I did. I had to make sure that they felt confident enough to tell me everything they believed.
I feel like kids are getting more and more used to communicating through a glass screen than they are face-to-face, and that worries me a little.
I love my son more than anything. I will do whatever it takes to make sure he is raised the right way.
I came across a photograph of him not long ago... his black face, the long snout sniffing at something in the air, his tail straight and pointing, his eyes flashing in some momentary excitement. Looking at a faded photograph taken more than forty years before, even as a grown man, I would admit I still missed him.
Fame is foolish, it is pointless, meaningless. Even if the whole world knows you, how does it make you richer? How does it make your life more blissful? How does it help you to be more understanding, to be more aware? To be more alert, to be more alive?
I would love to continue to model. It just depends on what opportunities I get, of course, I want to always stay true to who I am and make sure in everything I do God is getting the glory. If modeling is one of those things that keeps presenting itself to me, I would love to do it and continue to get more involved.
On my show, nobody's being paid more than me. I don't ask what they're being paid - I just make sure they're not getting more than me.
When I teach a class I often give the assignment: Photograph someone you love. I ask people to do this so they have a subject about whom they have feelings, a subject that is more than a model, or an object, or a shape, or an idea. In this way, they can judge the result not only by its technical success, but also by how well it describes their feelings.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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