A Quote by T.C. Boyle

I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.
My father loved to complain about big business and big government, but we had a solid middle class upbringing. We had good public schools. We had accessible health care. We had our little, you know, one-family house that, you know, he saved up his money, didn't believe in mortgages.
Diamond, however, had not been out so late before in all his life, and things looked so strange about him! - just as if he had got into Fairyland, of which he knew quite as much as anybody; for his mother had no money to buy books to set him wrong on the subject.
I had not been involved in any way in planning the event in Mobile. My staff maybe, had really been contacted, but I had never talked to Donald Trump about him coming to Mobile, and I decided - I had something else to do but it became so clear that it was going to be such a big event that I should be there. And he had already adopted my immigration views, in large part, and he was saying things I thought were valuable, about immigration.
When I was working at the Sprint store, I got laid off. I was bummed out, but I stayed positive. I used the money I had earned while working there to make my first album. Without that job, maybe 'Corazon Sin Cara' would never had been made. It's a very inspirational story.
Now I'm not going to go, "Oh my God, what are people saying about me?" I had a choice to be a student and not become a model, and becoming a doctor was another one of my dreams. I had a choice between not becoming a singer or becoming a songwriter and writing behind the scenes; nobody would have seen me writing songs for other people. I had the choice of not marrying my man; we could have just been hidden lovers, but I couldn't cope with it. I had these choices to do all these things, so I'm not going to cry over a life which has been really lucky.
I started acting at seven years old. It took me 20 years to understand that if I was going to make my dreams a reality, I had to take the reigns. I had to learn something about being productive and being self what's the word I'm looking for? Self-sufficient, but I had to be productive at all costs and I had to make product.
I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.
Our whole family had been sports oriented. My dad had played a lot of semipro but never had any opportunity to do anything with it. Back then, he had to make a living.
I met my wife, I had no money, I had nothing, and I started my family without really, my career was nowhere, but I had these other businesses, I had these things I was doing to be able to afford a small home.
I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
I came from a very middle-class family and had to take out loans to go to college. I was really shocked when I arrived at school at the difference between those who had money and those who didn't.
Those silly girls had no idea what they were really celebrating. They had no idea what it took to bring Agatha and her friends together seventy-five years ago. The Women's Society Club had been about supporting one another, about banding together to protect one another because no one else would. But it had turned into an ugly beast, a means by which rich ladies would congratulate themselves by giving money to the poor. And Agatha had let it happen. All her life, it seemed, she was making up for things she let happen.
Jay and I used to talk about this: we never had a goal of making a lot of money. We had a goal of having a business of our own. And there were many times we could have sold out and had a lot of money. Billions. We just put it in our pocket and go home, OK? But that was never our goal.
I had never gone to college. I was not from a politically connected family. I had no money of my own. Who is going to do business with you?
One of the things about me is that I actually had marginally middle-class living from writing. For years and years, I actually wrote so much through the '70s and '80s that I made a living. And very rarely have I had to take another job. And now it's impossible for anybody coming up to make such a living. They've pissed in the temple, you know?
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