A Quote by Toby Jones
Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.
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The thing about Hitchcock which is quite extraordinary for a director of that time, he had a very strong sense of his own image and publicizing himself. Just a very strong sense of himself as the character of Hitchcock.
What I'm talking about is both political and then also extra-political. Because what Donald Trump is doing is not simply to be measured in terms of its political effect. It's the very spiritual uplift of the nation. It's the very tenor and tone, morally speaking, of what this country is about. And so the unleashing of these fierce and ferocious beliefs have a potential impact that is quite deleterious, quite negative, quite destructive. And I think we have to say something.
I was never very good at math and science, to be honest, so it's fun to play a character that is so scientific and mathematical, and whose brain functions at such a high pace. The biggest difference is that Maura is very linear in her thinking and very logical. I'm not quite like that. I'm much more laid back and not quite so type A. That's the big difference.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
Montreal's a unique city, very fascinating stories of architecture and history, and it's this sort of bizarre mixture of Europe and North America. It's not quite Canada and it's not quite America, and it's definitely got this very Euro feel to it. It's a very, very interesting city.
Quantum physics is quite interesting. All these tiny particles are there as much as they're not there. That to me is very, very interesting. And how our thoughts change the outcome of an experiment, I think that's all quite spiritual.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.
I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.
I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I have a really feminine voice, but I also feel quite powerful when I write. So my songs feel heavy, and that's how Banks sounds. It's a really short, powerful sound. It almost sounds masculine, and I like having that dichotomy.
My body doesn't have any rhythm, you know. I've got quite good rhythm when I'm singing but my feet are very much two left feet.
I had a very happy childhood and very loving parents. We didn't have much money and I suppose therefore you felt that anything you did you'd have to do on your own, so it does make you quite motivated.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.
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