A Quote by Toby Keith
I loved both [Bob] Seger and the Eagles, knowing why they didn't play some of the songs I wanted to hear. But at the same time, they covered all the big bases, and the stuff that most people had heard. But they definitely had a bunch of album cuts that I wanted to hear that they didn't get around to.
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I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.
There's so many FM hits that I love. Bob Seger, there's two of his songs that I love. I would probably love more, but I don't sit around listening to Bob Seger records. It's the same thing with Tom Petty; he writes amazing hits, but it's not often that I sit around at home listening to a whole Tom Petty album.
She was reflecting back on a truth she had learned over the years: that people heard what they wanted to hear, saw what they wanted, believed what they wanted.
You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
I started off as a bar band. We played ZZ Top, Bob Seger, Waylon Jennings, the Rolling Stones - everything and anything people wanted to hear. You're not really selling yourself back then; you're selling beer.
Growing up and playing guitar with my dad and stuff like really influenced me. It definitely must've had an impact on why Miley wanted to sing and why I wanted to sing and play guitar as well.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.
You gonna hear a lot of loving songs in there, you gonna hear betrayal songs, you gonna hear action that takes place on some of the records ... But it all revolves around that world, that Shaolin/ Wu-Tang world. They just battling one another, and at the end of the day, we all come to find out that we're one and the same. We fighting each other but we're the same.
I wanted people to trust me, despite anything they'd heard. And more than that, I wanted them to know me. Not the stuff they thought they knew about me. No, the real me. I wanted them to get past the rumors. To see beyond the relationships I once had, or maybe still had but that they didn't agree with.
Somebody asked my friend Bob Seger, Why do you think the Eagles broke up? He said, Hotel California.
I started to get turned on to a bunch of different bands when I was in middle school/high school. I was turned onto The Who and Black Sabbath and Yes, and stuff like that. But Rush I obsessed over. I wanted to have every album. I wanted to know storylines, read all the lyrics, learn the songs and everything.
We played for peanuts. But we did what we wanted to do, we heard what we wanted to hear, we performed what we wanted to perform, we learned what we wanted to learn.
This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
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