A Quote by Toby Stephens

I was doing a lot of great theatre, but I just couldn't work out how to make ends meet. — © Toby Stephens
I was doing a lot of great theatre, but I just couldn't work out how to make ends meet.
I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
Being a hungry artist, you don't have the luxury of buying whatever you want. There were years of me doing a lot of odd jobs, this and that just to make ends meet.
The client isn't quite satisfied and then the prostitute is always unsatisfied but is doing it just to make ends meet. And if you're doing fine art, if you're doing it for a gallery or a museum, it's so sterilized. It's such an antiseptic environment.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
A lot of my friends are artists or musicians or single parent families and I'm totally aware of how difficult it is for them to make ends meet.
In a packed programme tonight, we will be talking to an out-of-work contortionist who says he can no longer make ends meet.
Would you do your job and not be paid for it? I would do this job, and take on a second job just to make ends meet if nobody paid me. That’s how you know you are doing the right thing.
'SNL' is one of those jobs where you are constantly reminded of how lucky you are and that you get to meet some of these people whose work you enjoy. Then you get to meet them, and they are just wonderful people. It turns out wonderfully, and you have a great conversation.
People are trying to figure out how to pay bills and make ends meet. They don't want to turn on the TV and say, 'What is this crap?'
The difference between a good educator and a great educator is that the former figures out how to work within the constraints of traditional policies and accepted assumptions, whereas the latter figures out how to change whatever gets in the way of doing right by kids. 'But we've always...', 'But the parents will never...', 'But we can't be the only school in the area to...' - all such protestations are unpersuasive to great educators. If research and common sense argue for doing things differently, then the question isn't whether to change course but how to make it happen.
If people can't make ends meet at home with food, benefits, health, and health care in particular, how can they be present, engaged, knowledge workers when they come to work?
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
A lot of players get to a certain point they don't want to make mistakes. They just want everyone to see how great they are. That ends up being their downfall. You put a cap on yourself.
Of course you've got a low unemployment rate when people have got to work two and three jobs just to make ends meet.
I knew my whole life that I had to make ends meet or I would be ashamed of myself. I had a lot of pressure from my parents. So that's where my vision comes from. It's not to be a great artist, it's always to be like, 'Dad, look, I didn't let you down.'
When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.
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