A Quote by Todd Solondz
Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.
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It's funny, one of the reasons why I never wear my glasses any more is that, when I was younger, a guy once said that he liked me until he found out that I wear glasses.
It's partly true that I am not seen that often in public. Well, I'm just socially awkward, especially around people I'm not familiar with. But once you get to know me, I'm quite a chatterbox.
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.'
I think the fashion industry is limitless. Not everyone sees me as being part of their vision. But the people that have seen me, some of them have seen things in me that I hadn't even seen in myself.
In the '80s, I wore these glasses because I was trying to look like a square to outsmart the po-po, you feel me? It was what we call 'throw off methods.' So I wear little glasses.
Most people don't wear glasses in the U.S., and we're not conditioned to finding men and women who wear glasses sexy. If you need your glasses to see, find a good optometrist who can outfit you with a great frame, thin lenses, and a high-quality anti-reflective coating.
Disappointments in love, even betrayals and losses, serve the soul at the very moment they seem in life to be tragedies. The soul is partly in time and partly in eternity. We might remember the part that resides in eternity when we feel despair over the part that is in life.
It's about me doing me, about me being organic. I can't wear things and put on a front and say I like something when I don't. I won't wear something I wouldn't normally wear just for people to like it or for people to look at me like this or that in fashion.
I don't like being approached by people who look at me too intensely, who needed something from me that I didn't have. I don't represent anything.
I understand that show business people can wear the public a bit thin when it comes to politics. I know they wear me thin.
I remember once at the end of a BBC job interview the manager said to me: 'I didn't realise people like you were clever.' I don't think he was being intentionally nasty. At that time in the BBC he was surrounded by clones of himself, give or take some facial hair and glasses.
People will come at me telling me to wear this or wear that. If I don't like it, I don't like it. They couldn't pay me to wear it. If it's something I can rock with, I'll rock it. I'm more interested in being completely authentic to me. In my opinion, being myself is making a statement.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
I put up with the music business because I understand that I'm in the tradition, I'm in a tradition that's of far greater importance than the business I seem to be in. Everywhere I go in the world, people ask me about the business that I seem to be in, but I'm not really in that business.
After three months of singing, Hef heard me practicing once. He tried to convince me to quit singing lessons because there was no chance of being good at it. Of course, I cried a lot when he said that, but it was my money that I was investing in lessons so I continued partly out of spite and partly because I really wanted to do it.
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