A Quote by Todd Edwards

You're listening to [the songs on Random Access Memories] and they're future classics. They've brought the sound of something that's been lost for a long time. — © Todd Edwards
You're listening to [the songs on Random Access Memories] and they're future classics. They've brought the sound of something that's been lost for a long time.
I like songs that sound like classics. There are songs that might be cooler or have better production, but I like songs that sound like they're timeless.
I enjoy classics, but classics are classics for a reason. I prefer to focus on the future. There are a lot of new stories to be heard.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
Lost in Space brings back a lot of memories for people, and I think that any time you're involved in something that has such a long-lasting appeal, you feel very blessed by that.
I usually enter the studio with a mix of songs that I've been listening to that are relevant to the sound I want to achieve.
The big difference with 'Random Access Memories' and maybe 'Tron' is that we decided to share the experience of making music with a bigger team.
Lost in Space brings back a lot of memories for people, and I think that any time youre involved in something that has such a long-lasting appeal, you feel very blessed by that.
I'm working on one of the projects at a time and I'm the zone of that project. I'm not saying there's anything wrong with this, and I might experiment with it in the future, but I'm not a fan of just random assemblages of songs at the moment.
Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
The thing I've been talking about with daughter is the idea of - and I'm talking about essentially in America - the possibility of, a lost generation. I've been listening to a lot of music - as a fan, as a critic, as somebody who likes to dance - but I hear, you know, within these songs and half the people I hear, these philosophies encoded and embedded in these songs.
For 'Narrow Stairs', the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.
I’ve been searching a long time for something I think I lost. I felt like I found something when I saw you back there.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
As a writer, I spend a lot of time alone, and I like it. I'm also a long-distance runner, and I love long, solo road trips; I can drive literally all night, drinking coffee, and not even listening to the radio, just strangely content sifting through the random thoughts in my own head.
My mom and dad played this music all the time when I was growing up, so to me songs by Jerry Lee and Fats Domino are the classics, they're the best songs ever.
In the future, women will have breasts all over. In the future, it will be a relief to find a place without culture. In the future, plates of food will have names and titles. In the future, we will all drive standing up. In the future, love will be taught on television and by listening to pop songs.
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