A Quote by Tom Anderson

On Friendster, if you were a band and you made a profile, they would delete it. They didn't want bands on their site. — © Tom Anderson
On Friendster, if you were a band and you made a profile, they would delete it. They didn't want bands on their site.
At the time of starting this band I was listening to tons of death metal. However, the bands that made me want to be in a band to begin with were groups like Korn, Deftones, Slayer, Sepultura... everything that my dad would buy and bring home to me and my brother saying 'Hey, listen to this'.
I would delete Donald Trump. I would delete Hillary Clinton. I would delete the man who was responsible for Brexit.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.
I didn't expect major labels would embrace MySpace, and the original idea for music on the site was the unsigned bands, the independent bands.
LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
With my first high school band ever, we would have these breaks in the song for idiotic solos, solos that were un-tasteful and would be shredding, but I needed to put them in there, and I realize now it's because we were playing shows with a whole bunch of bands that were all male.
The day of the march, we were forbidden to go to the march site. The man I worked for, the Presbyterian minister, knew we would want to be sort of martyrs for the cause and risk arrest. He didn't want any of that going on. So he made us stay in the neighborhood.
I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.
Certain punk bands were influential because I thought, If they can do that then I can .Hanging around those bands was how I started my first band - In Praise of Lemmings.
As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.
My band did the Teenage Fair battle of the bands - problem was we were 11 years old! They gave us a prize for youngest band ever.
Delete, delete, delete and at the end find the ‘core aspect of the design’
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
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