A Quote by Tom Burke
But the fact I'm even getting to play a character that the producer, director and writers want me to play is a rarity in the industry. You'd think it happens all the time. It doesn't. There are so many hoops to jump through to get cast in something.
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The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
If somebody is excited to cast me in a character that is surprising even for me to play, that is something I'll be looking for.
I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
I recognize that every role I play, I'm not going to play someone that has a ministry or that is a Christian, and I don't think that's what God has called me to do. The gift and talent that He's given me as an actor, director, producer is to entertain, sometimes to inform, most times to inspire.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
I just want to play strong characters, whatever that is in. For me, television is where it's at. You get to play a character for a long period of time, and you get to dig deep. It's a home to go to.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
To get a script like 'Death Proof' and to get cast in it just affirmed that I want to do character work; that's where my heart is. Maybe I will get to it again, maybe I won't, but it's what I like to do is play something a little outside of myself. This solidified the desire certainly for me.
I don't play bad guys. I think that's why I keep getting cast as bad guys: because I don't want to play bad guys. I want to play human beings that struggle with life.
The director is responsible for interpreting the playwright's work through the cast with the help of the staff. It is the director's artistic concept of the play that the cast, staff, and crew work to obtain.
When writers don't know what to do with a character, they build up the supporting cast and universe to kind of hide that fact. After a while, you can no longer see the character for the underbrush. When that happens, you need to bring out the weed-whacker to clear some of that away so you can focus on the main character.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
People have to see play as more important than what it currently is. We don't want to get boxed into thinking play only happens on a playground. The best type of play is all kinds of play.
Number four, we're going to play like winners, play the game the way it's meant to be played. Don't get full of yourself if something good happens. Don't get too depressed when something bad happens.
