A Quote by Tom Green

When you work in television, working for a big corporation, no matter who you are, you can always get cancelled. That sucks. Do you really want to work with an axe over your head for the rest of your life? Not me, not really, and not if you don't have to.
If you take time to realize what your dream is and what you really want in life, no matter what it is, whether it's sports or in other fields, you have to realize that there is always work to do, and you want to be the hardest working person in whatever you do, and you put yourself in a position to be successful. And you have to have a passion about what you do.
If your primary focus is to get over your health problems or get past a relationship crisis so that you can return to your former life and old patterns- that is, get back to business as usual-you are not really living. The distinction is paradoxical and sometimes subtle. It's the difference between walking through your life on your way to somewhere, and walking as your life. Even if you believe that where you want to get is extremely important, that destination is secondary. Your immediate experience is what really matters. It is your life.
I've always been a big proponent of not working for the sake of working, because I don't want to work for the rest of my life - I want to live.
I think for all the women who are working parents it's difficult to balance your work-life and your home-life. You make obvious sacrifices because you really just want to be with your family.
I always tell myself that we are born here not to work, but to enjoy life. We are here to make things better for one another, and not to work. If you are spending your whole life working, you will certainly regret it. No matter how successful you are in your career, you must always remember that we are here to live. If you keep yourself busy working, you will surely regret it.
When you’re confronted by a really difficult thing in your life, you’re faced with a choice: you can runaway from it, or you can face it, confront it, and work through it. But to work through it, sometimes feels like holding your own head below water when you’re already drowning. Your natural instinct when drowning is to get back up to the surface and give yourself some relief from that terrible situation…you just want to breathe again.
Work addiction seems to be an addiction we are proud of. We almost seem to brag with mock displeasure that we are "overwhelmed" with busyness, sometimes as an excuse for not really being able to do what we really want to be doing. Work addiction is a symptom not of working your brains out but of your brain working you out. Why are you doing what you're doing for a career and how do you like doing it? Do you like your answer?
So many times in television, you get cancelled arbitrarily as a result of your ratings in the off season, and you don't have an opportunity to really script your ending, which can leave it an unsatisfying situation for both participants and the audience.
I want to act for the rest of my life - and I also want to pursue directing. Watching Bill Condon direct 'Twilight' kind of made me think, 'OK yeah, I really want to do this now.' This idea that you can make an image in your head and be in full control of how it comes out - I thought that was really cool.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
I'm sure you're always working in your head, but when you're actually physically working, you're in your studio, right? For me, it changes all the time. That's something I really love.
It really strikes me how much of your energy in America, especially if you're from a working back-ground, is spent just keeping your head above water. It really saps your grace and your strength.
Working on camera is a different ballgame in the sense that it's far more intimate work, but the basics and the foundations of being able to create something that isn't necessarily your own instincts - is a character that you have inside your head - whether you're talking about television or film or theater, that still has to be the grounding work.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
Ideally, really ideally, you want to get to a place where you can have creative control over the material you do - choices, at least, anyway. And you want your choice of script and role. But do you really want your life to revolve around trying to maintain your privacy?
None of us really pushes hard enough. People always talk about playing over your head when you are up against someone really good. Maybe you don't play over your head at all. Maybe it's just potential you never knew you had.
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