A Quote by Tom DeLonge

When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound. — © Tom DeLonge
When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
I gravitate toward people with a big, sane, sound mind and big heart with a soft spot for elders, children, and animals.
People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.
Even though we're not the most punk rock band, the way we've done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
Even though were not the most punk rock band, the way weve done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
Amplification of guitars revolutionized the popular music scene. Youngsters look for quick fame and big money with amplified guitars and working with rock groups.
There are a few artists that I'm really into. I mean, I'm a big Nick Cave fan. And there's a band from Australia called Big Heavy Stuff that's one of my favorite bands ever.
I'm most inspired by people who are doing what they love in a big, loud way. And big and loud doesn't always have to be big and loud. Sometimes these people can appear as a quiet storm, but in their full expression everyone feels the impact.
I don't think that the punk sound really became the punk sound until much later. The punk era wasn't really just one musical sound. There are a lot of differences among Television, the Ramones, and the Talking Heads.
A Strat was a thing of wonder .. when I was 14 or 15, the Shadows were a big influence, and they had the first Strats that came to England. I like to play all kinds of guitars, but I wasn't getting the sound I really wanted until I got a Stratocaster
It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
I tend to gravitate toward reporters who cover all aspects of the story: from personal aspects to the big picture that answer the 'so what' of a story.
It is really amazing to be able to do cinematic, big feature style film music on a weekly basis and do it in LA, on a big scoring stage, on a studio lot, and do it with the right players and make it sound great.
When I go in the studio with Post, I have a really good idea of what he's going to gravitate to, what we can work with.
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