A Quote by Tom Jenkinson

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.
The reality is, if you go to the library and read biographies, thousands of people have changed, radically changed. St. Augustine was one of them. He lived a terrible a life for the first 33 years, and then he radically changed.
People always think there's this huge hundred-foot-high barrier that separates doing good from doing bad. But there's not. There's nothing. There's not even a little anthill. You just take one baby step in any direction and you're already there. You've doing something awful. And your life is changed forever.
When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
A working woman could save a few shillings a week, and then every five weeks she'd come in and we'd cut her hair. She could shampoo it under the shower, swing it and dry it off or just let it dry by itself. It changed the lives of many young girls who'd never had the opportunity to be styled like that before.
Then suddenly Jack was a changed boy. Something wonderful had happened to him, and it had made him different. It sometimes happened to people that they see or hear something quite wonderful and then they are never altogether the same again.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
I don't mind people liking or not liking me. If you make something and then in the back of your mind you think it could have been a bit better, that can hurt a bit.
There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.
I think people like listening to what I call trippy music but maybe next year it will be something else. I still have gangster tracks and real-life stories and situations in my music. I’ve been blessed because over 20 year, I never stopped doing what I was doing. It’s pretty much the same thing and I’ve never really changed anything up.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
Any time someone doesn't like one on the first run, I hope they will give it another shot. At least we'll get another chance. But I do feel, in my approach, I am not really a minimalist. I don't like to leave out ideas that I think could add something to the story. Sometimes, you can't quite pick up on all of it in one sitting. It's not by design. But maybe it's a side effect of my approach.
Ever since I did 'Hamilton' I'm really specific with the projects that I choose and the characters I choose and how they're portrayed. I was meaningful with my craft before, but I think after doing something that can change people, the direction in how I go within this business has changed too.
I would describe my style for those who haven't listened to my music as definitely..up-tempo. I try to have something nice, something people could dance to. It's kind of hard though to describe my sound in one record because I think when I approach music I try to do something different every day. Do a different vibe.
The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.
You know the 80s music is something that no one wants to admit liking, but once then start playing everyone is into it.
People say it's not what happens in your life that matters, it's what you think happened. But this qualification, obviously, did not go far enough. It was quite possible that the central event of your life could be something that didn't happen, or something you thought didn't happen. Otherwise there'd be no need for fiction, there'd only be memoirs and histories.
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