You can't tell a Batman story without the Joker, and you can't tell a Joker story without Batman. They're just the symbols of the best and worst of humanity.
When I was younger, I used to love Tim Burton's 'Batman.' I was, like, 15, and even then, I was aware, 'This is really the Joker's film.' It's like, the Joker just takes over, and Batman, you really don't learn too much about him.
Mr. Freeze is motivated by different things. He doesn't really have that much of an axe to grind with Batman. Batman is an irritation and an impediment to him, not an enemy that he hates. He doesn't have the hatred that the Joker has for Batman.
I was watching Batman, the TV show, on TV Land, on the cable. And Robin said to Batman, Golly, Batman! Why is the Joker so evil!? And Batman said, Careful, Robin. The criminal mind sees the world through a prism the solid citizen dare not peer through. Batman has a more nuanced worldview than the president.
When I was writing 'Black Panther,' on one level, I was angry because DC would never let me write 'Batman,' so I was doing Marvel's 'Batman,' and Reverend Achebe became sort of the Joker to Panther's Batman.
I can tell we’re going to get along like Batman and the Joker. (Fang) Just remember one thing, world. I’m the best friend you’ll ever have or the last enemy you’ll ever make. (Thorn)
That's all the Joker is. It's Batman without love. The Riddler is the opposite of that. It's the detective in him.
'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.
My dream role is to play in a story of how the Joker became the Joker, and I would play the young Heath Ledger.
I think the Joker resonates with people as much as Batman does.
I want to play my Joker. Not the Joker, but my Joker. Somebody who can have fun doing wrong.
If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
The most questionable thing I did was make Superman a government agent. If this had been a Superman story, I'd never have done that - and I know that, because I have a Superman story I want to tell someday. In this story, Batman was the hero, so the world was built around him.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I wouldn't want to be Superman. Batman would be cool. But the one I've always wanted to play is the Joker. There is a maniacal and dangerous side to me.
Believe me, when I do a story - if you read 'Batman: Odyssey,' I never do something without there being a reason. There's always a reason, and you will find out in the story. I'm looking to entertain you.
I believe that even today we can only tell a simple story without really interfering with gameplay. But in the future, I think it will almost be a requirement of all storytellers when they create games, how they can tell a more complex story without conflicting with the gameplay.