A Quote by Thom Mayne

I'm not a tabula rasa type. In some ways, the more constraints I have, the work is more interesting to me. — © Thom Mayne
I'm not a tabula rasa type. In some ways, the more constraints I have, the work is more interesting to me.
The Midwest is such a tabula rasa.
Freud said that we are born as a tabula rasa. This is a model that simply is too superficial and inadequate.
What we need,' Henry says, 'is a fresh start. A blank slate. Let's call her Tabula Rasa.
In some ways, you could argue, television is doing far more interesting work than the movies. It's more fulfilling.
I have a theory in life that there is no learning. There is no learning curve. Everything is tabula rasa. Everybody has to discover things for themselves.
If the clinician, as observer, wishes to see things as they really are, he must make a tabula rasa of his mind and proceed without any preconceived notions whatever.
We want to do things that are interesting, great storytelling, some of it is gonna be more fun and funny, some of it is more serious and talking about interesting issues that we think are provocative and interesting to us. Kind of on a more political level. But, you know, just things that we find interesting that we think stories that need to be told.
Man is born a tabula rasa; he must learn how to choose the ends that are proper for him and the means that he must adopt to attain them. All this must be done by his reason.
The idea that man is a tabula rasa, or Mao's sheet of blank paper upon which the most beautiful characters can be written, is an old one with disastrous implications. I do not think though that the cults you mention could survive honest thought about human nature.
The more constraints I have, the more opportunities I have to be creative to fix those constraints.
Very often, development agencies or even some of the humanitarian actors choose the... more comfortable type of work, where it is safe, while the more important work has to be done where it is profoundly unsafe.
I get to a certain point where I just get so tired that I keep going. It creates a positive feedback loop in some ways - the more stress and work I put on me, the more stress and work I can deal with.
If someone arrives, fully functional yet a tabula rasa, how does their environment influence, educate, even mold them? And if that is a nurture question, then where does that character's nature fit in? How does that manifest?
There are many ways to go about a story. And if you give yourself some formal constraints, it just makes the job so much - maybe 'easier' isn't the right word, but because you know your boundaries, you can just play within those boundaries much more, so it's much more fun to do.
The planet Mars - crimson and bright, filling our telescopes with vague intimations of almost-familiar landforms - has long formed a celestial tabula rasa on which we have inscribed our planetological theories, utopian fantasies, and fears of alien invasion or ecological ruin.
I feel sometimes constrained by the expectation that the work should be solely political. I try to create a type of work that is at the service of my own set of criteria, which have to do with beauty and a type of utopia that in some ways speaks to the culture I'm located in.
This site uses cookies to ensure you get the best experience. More info...
Got it!