A Quote by Tom Mison
Regardless of how dark and heavy the character is the actor has to approach it with that frame of mind.
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I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.
When you're playing a character, as an actor or actress, you can't judge them for what they do. You really have to find what is in them that you have compassion for and fall in love with that character, regardless of what they do or how they behave.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
[And on going from character to leading actor] I don't approach anything differently; I just approach it as a character. I'm always astounded at the fact that I've ever played a leading character in anything [Laughs]. And my wife concurs with that, frankly. She always thought I would be, at best, the wacky neighbor on a sitcom, so this is all just a surprise and a joy.
When you start out on a project as an actor, you know, you approach the character from the standpoint of maybe writing a list - even if it's a mental list that you make - of the adjectives that the character has or that character possesses.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
Every actor has his own approach towards acting. I believe you do not become the character you are playing. You may get closer to it but you do not lose yourself. There's just a reflection of the character in you.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
I’d like to be the kind of actor who is remembered for my character. You know how there are cases where even when you watch all the way through the end of a drama, you remember the actor’s name, not the character’s. I want my character’s name to be more remembered than mine.
As Aristotle said, happiness is not a condition that is produced or stands on its own; rather, it is a frame of mind that accompanies an activity. But another frame of mind comes first. It is a steely determination to do well.
Once the makeup is on, it is easy to enter the character's frame of mind.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
I was first to understand it was boring to go with heavy shoes to base camp. When we first tried Dhaulagiri, a very difficult approach at high altitude, we needed very heavy boots. So it was usual to wear such heavy boots to approach all base camps. But I thought this was crazy. We needed lighter shoes for many of the approaches.
A conservative frame of mind is very limiting for an actor, and a human being, too.
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