A Quote by Tom Odell

I tend to write and record things quite quickly. You can tamper with things for years, and it's artistic laziness sometimes. — © Tom Odell
I tend to write and record things quite quickly. You can tamper with things for years, and it's artistic laziness sometimes.
I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.
Sometimes, when you are not feeling really good is when you tend to write songs because you are internalising everything, and you are examining your thought process, and you are quieter and quite still, so it is when you write things down.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
Sometimes with these things all the pieces fall into place. I mean, we've been talking about this for years and we don't have the script now, but sometimes things fall into place very quickly, and if everything lines up it could happen.
I don't write quickly or a lot. Well actually I write quickly, but I don't have a store of things. I will wait for that erotic moment - like the one which struck me when someone said "have you ever heard of Kester Berwick?"
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
Fusion food as a concept is kind of trying to quite consciously fuse things that are sometimes quite contradictory, sometimes quite far apart, to see if they'd work.
I find going back through things sometimes exhilarating because I find things I didn't know I had, and sometimes it's very off putting because there are things I never quite finished, and there's nothing at all to do about it now.
Sometimes great things come from doing things quickly and not over-thinking stuff.
I don't write. I usually look for material by other people. Sometimes I change things or adapt things but I don't write from scratch. I wish I had that ability.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
I adapt to things quickly, including good things, which I wish I could shut off sometimes.
I think I've got a lot of dark lines in this record [Wild Things] that I've hidden quite nicely among the nice things.
Write what haunts you. What keeps you up at night. What you are unable to get out of your mind. Sometimes they are the hardest things to write, but those are often the things that are worth investigating by you specifically. . .
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